R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University in South Carolina and is editor, with David Boyd, of After Hitchcock: Influence, Imitation, and Intertextuality. William Robert Bray is Professor of English at Middle Tennessee State University in Murfreesboro and is the founding editor of The Tennessee Williams Annual Review.
Inhaltsangabe
Preface Acknowledgments Chapter 1. Williams, Broadway, and Hollywood Chapter 2. The Glass Menagerie: A Different Kind of Woman's Picture Chapter 3. Bending the Code I: A Streetcar Named Desire Chapter 4. Bending the Code II: The Rose Tattoo Chapter 5. Bending the Code III: Baby Doll Chapter 6. Tennessee Williams and '50s Family Melodrama Chapter 7. The Williams Films and the Southern Renaissance on Screen Chapter 8. Tennessee Williams and the End of an Era Appendix A. Filmography with Principal Cast Members Appendix B. Select Small-Screen and Television Productions, with Principal Cast Members Appendix C. Some Notes on Produced and Unproduced Works Appendix D. Key to Collections Notes Bibliography Index
Preface Acknowledgments Chapter 1. Williams, Broadway, and Hollywood Chapter 2. The Glass Menagerie: A Different Kind of Woman's Picture Chapter 3. Bending the Code I: A Streetcar Named Desire Chapter 4. Bending the Code II: The Rose Tattoo Chapter 5. Bending the Code III: Baby Doll Chapter 6. Tennessee Williams and '50s Family Melodrama Chapter 7. The Williams Films and the Southern Renaissance on Screen Chapter 8. Tennessee Williams and the End of an Era Appendix A. Filmography with Principal Cast Members Appendix B. Select Small-Screen and Television Productions, with Principal Cast Members Appendix C. Some Notes on Produced and Unproduced Works Appendix D. Key to Collections Notes Bibliography Index
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