Places Holocaust films from Anne Frank to Schindler's List to Jojo Rabbit in historical and artistic perspective, and discusses them through many lenses: historically, chronologically, thematically, sociologically, geographically and individually.
Places Holocaust films from Anne Frank to Schindler's List to Jojo Rabbit in historical and artistic perspective, and discusses them through many lenses: historically, chronologically, thematically, sociologically, geographically and individually.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
After a career in Hollywood, Rich Brownstein has become a leading international expert concerning the history and use of Holocaust films. He has lectured for Yad Vashem's International School for Holocaust Studies in Jerusalem, Israel, since 2014.
Inhaltsangabe
Table of Contents Acknowledgments Foreword by Tim Blake Nelson Foreword by Walter Reich Foreword by Michael Berenbaum and Edward Jacobs Foreword by David Zucker Author's Preface and Introduction 1. Narrative Holocaust Film Basics Defining Narrative Film Defining Holocaust Film Creating a Definitive Holocaust Film List Grouping Holocaust Films: The "4+1 Genre" System Non-Holocaust Films: Shorts, Television Episodes, Documentaries and Miniseries 2. Stats and Eras Holocaust Film Stats Four Eras of Holocaust Film 3. Surprising Holocaust Film Traits Fiction vs. Non-Fiction Non-American Holocaust Film Production American Guilt God, the Holocaust and Holocaust Exploitation 4. The Unavoidables: Elie Wiesel, Anne Frank, Oskar Schindler and Oscar Bait Elie Wiesel: The Elephant in the Room Anne Frank: A Microcosm of Holocaust Film The Black Hole of Holocaust Films: Schindler's List (1993) & Friends Oscar Bait 5. A Practical History of Holocaust Filmmaking in Hollywood 6. The Greatest Narrative Holocaust Film Ever Made 7. Roman Polanski and The Pianist (2002) 8. Holocaust Film Curriculum Planning: The "SOFTA" System Students Objectives Follow-Up Time Administrative Summary 9. Recommended Holocaust Films The 52 Best Holocaust Films The Very Best Holocaust Films Epilogue: Eva.Stories and Holocaust Film Trends Appendix I: List of Holocaust Films Appendix II: Non-Holocaust Films Often Miscategorized as Holocaust Films Chapter Notes Bibliography Index
Table of Contents Acknowledgments Foreword by Tim Blake Nelson Foreword by Walter Reich Foreword by Michael Berenbaum and Edward Jacobs Foreword by David Zucker Author's Preface and Introduction 1. Narrative Holocaust Film Basics Defining Narrative Film Defining Holocaust Film Creating a Definitive Holocaust Film List Grouping Holocaust Films: The "4+1 Genre" System Non-Holocaust Films: Shorts, Television Episodes, Documentaries and Miniseries 2. Stats and Eras Holocaust Film Stats Four Eras of Holocaust Film 3. Surprising Holocaust Film Traits Fiction vs. Non-Fiction Non-American Holocaust Film Production American Guilt God, the Holocaust and Holocaust Exploitation 4. The Unavoidables: Elie Wiesel, Anne Frank, Oskar Schindler and Oscar Bait Elie Wiesel: The Elephant in the Room Anne Frank: A Microcosm of Holocaust Film The Black Hole of Holocaust Films: Schindler's List (1993) & Friends Oscar Bait 5. A Practical History of Holocaust Filmmaking in Hollywood 6. The Greatest Narrative Holocaust Film Ever Made 7. Roman Polanski and The Pianist (2002) 8. Holocaust Film Curriculum Planning: The "SOFTA" System Students Objectives Follow-Up Time Administrative Summary 9. Recommended Holocaust Films The 52 Best Holocaust Films The Very Best Holocaust Films Epilogue: Eva.Stories and Holocaust Film Trends Appendix I: List of Holocaust Films Appendix II: Non-Holocaust Films Often Miscategorized as Holocaust Films Chapter Notes Bibliography Index
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