Homage to the Black Arts Movement - Juanita, Judy
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Homage to the Black Arts Movement: a handbook [EquiDistance Press, 2018] pays tribute to the father of that historic literary protest movement, Amiri Baraka (1934-2014), through the writing of Judy Juanita, who encountered him and emulated his work and activism when she was a twenty-year-old student at San Francisco State. This handbook joins four literary genres which scrutinize the seminal Black Arts Movement [BAM] of the 1960s and 70s, a new voice and visibility for poets, writers, intellectuals, performing and visual artists. She participated as it created venues, publications,…mehr

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Produktbeschreibung
Homage to the Black Arts Movement: a handbook [EquiDistance Press, 2018] pays tribute to the father of that historic literary protest movement, Amiri Baraka (1934-2014), through the writing of Judy Juanita, who encountered him and emulated his work and activism when she was a twenty-year-old student at San Francisco State. This handbook joins four literary genres which scrutinize the seminal Black Arts Movement [BAM] of the 1960s and 70s, a new voice and visibility for poets, writers, intellectuals, performing and visual artists. She participated as it created venues, publications, productions, opened doors to academia, one of which she went through at SFSU, becoming the youngest member of the nation's first black studies department. Her semi-autobiographical novel, Virgin Soul [Viking, 2013, hb; EquiDistance Press, 2017, pb], follows a young black student in the 1960s who joins the Black Panther Party. Excerpted here from Virgin Soul, "The Black House" follows this young woman as she discovers an exciting new tradition. In the 60 minute play/film script, "Life is a Carousel," a black academic, Layla, on her way to a Black studies conference in the 2000s, meets the forgotten founder of Black Studies, Diahlo Green. They spar with airport reservation agents about his fare and meet at the convention where blatant disregard for him continues by a whole new generation. At issue is the relevancy of the Academy, Black Studies and the struggle. At each step of the way, the new, including LGBT professors, crushes the old. The essay, "Five Comrades in The Black Panther Party, 1967--1970," looks back at Juanita's youthful participation in this most influential black revolutionary organization of the late 1960s and 1970s. The second essay, "Meeting LeRoi Jones," is the first encounter of student and mentor. The poetry selection, "(not) forgotten man," is a sonnet about a seminal figure, Amiri Baraka, of the BAM. Juanita is making her work available in a series of handbooks, following in the spirit of the late graphic artist and sculptor Rini Templeton who left a body of (20,000+) artwork for activists, filmmakers, students and teachers.
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Autorenporträt
Judy Juanita's debut novel, Virgin Soul, chronicled a black female coming of age in the 60s who joins the Black Panther Party [Viking, 2013]. Novelist Jean Thompson said of Virgin Soul: "Hard to believe it's been almost fifty years since the formation of the Black Panthers. The novel captures that time's particular combination of violence and possibility, and the urgency of young people who invested everything in the possibility of change, even as grand rhetoric was undercut by very human failings." Her collection of essays, DeFacto Feminism: Essays Straight Outta Oakland [EquiDistance Press, 2016], examines the intersectionality of race, gender, politics, economics and spirituality as experienced by a black activist and self-described "feminist foot soldier." She was a contributing editor for The Weekling, an online journal, where many of the essays appeared. The collection was a distinguished finalist in OSU's 2016 Non/Fiction Collection Prize. Her work is archived at Duke University's John Hope Franklin Research Center for African and African-American Literature alongside other student activists from the Student Nonviolent Coordinating Committee (SNCC). Crab Orchard Review's Allison Joseph said Juanita's fiction "should be required reading for anyone studying the vicissitudes of recent American history." Juanita's short stories and essays appear widely, and her poetry has appeared in Obsidian II, 13th Moon, Painted Bride Quarterly, Croton Review, The Passaic Review, Lips, New Verse News, Poetry Monthly and Drumrevue 2000. In drama, Juanita's themes are social issues overlaid with absurdity, humor and pathos (in one play, a distraught nurse whose teenage son has overdosed falls head over heels in love with a duck). Her seventeenth play, "Theodicy," about two black men who accidentally fall into the river of death, won first runner-up of 186 plays in the Eileen Heckart 2008 Senior Drama Competition at Ohio State University. She was awarded New Jersey Arts Council Fellowships for her poetry and earned an MFA in creative writing from San Francisco State University. She has taught writing at Laney College in Oakland, California, since 1993.