A critical exploration of the ways that postcolonial diasporas challenge and re-shape exclusive formulations of 'home' and 'homeland' rooted in racist and heteronormative practices spread by transatlantic neoliberalism.
A critical exploration of the ways that postcolonial diasporas challenge and re-shape exclusive formulations of 'home' and 'homeland' rooted in racist and heteronormative practices spread by transatlantic neoliberalism.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Rahul K. Gairola is Assistant Professor of English & Comparative Literature in the Department of Humanities & Social Sciences, Indian Institute of Technology Roorkee. He is an Article Editor for Postcolonial Text, and co-editor of Revisiting India's Partition: New Essays on Memory, Culture, and Politics (Lexington Books, 2016).
Inhaltsangabe
Dedication Acknowledgements Prologue: History as Home Base 1. Home, Queer Home: Postcolonial Belonging in the Transatlantic Anglosphere 2. Between Homes: Western Education and Transgressions of Disciplinary Gender Roles in Michelle Cliff's Abeng 3. Capitalist Houses, Queer Homes: Sexuality & Belonging in Hanif Kureishi's and Stephen Frears's My Beautiful Launderette and Sammy and Rosie Get Laid 4. Homesick for Future Revolution: Heteronormative Lifestyles and Queer Heterotopias in Jessica Hagedorn's Dogeaters 5. Home is Where the Heart Writes: Race, Media, Masculinity, and the Market in Jackie Kay's Trumpet Epilogue: Broken Homes and Insecure Homelands Index
Dedication Acknowledgements Prologue: History as Home Base 1. Home, Queer Home: Postcolonial Belonging in the Transatlantic Anglosphere 2. Between Homes: Western Education and Transgressions of Disciplinary Gender Roles in Michelle Cliff's Abeng 3. Capitalist Houses, Queer Homes: Sexuality & Belonging in Hanif Kureishi's and Stephen Frears's My Beautiful Launderette and Sammy and Rosie Get Laid 4. Homesick for Future Revolution: Heteronormative Lifestyles and Queer Heterotopias in Jessica Hagedorn's Dogeaters 5. Home is Where the Heart Writes: Race, Media, Masculinity, and the Market in Jackie Kay's Trumpet Epilogue: Broken Homes and Insecure Homelands Index
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