Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.
Taking a holistic approach to performances of the Iliad and the Odyssey, this multidisciplinary volume examines both the rhapsodes who performed the poems and the narrators and characters within them.
Edited by Jonathan L. Ready and Christos C. Tsagalis
Inhaltsangabe
1. A Note on Iota Adscript and the Transliteration of Proper Nouns 2. Acknowledgments 3. Introduction (Jonathan L. Ready and Christos C. Tsagalis) 4. Part I. Rhapsodes * Chapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods (Christos C. Tsagalis) * Chapter 2. Reading Rhapsodes on Athenian Vases (Sheramy D. Bundrick) * Chapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period (Christos C. Tsagalis) * Chapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period (Anne Gangloff) * Chapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process (Mary R. Bachvarova) * Chapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers (Olga Levaniouk) 5. Part II. Narrators and Characters * Chapter 7. Odysseus Polyonymous (Deborah Beck) * Chapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending (Anna Bonifazi) * Chapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi (Joel P. Christensen) * Chapter 10. Diomedes as Audience and Speaker in the Iliad (James O’Maley) * Chapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue (Lorenzo F. Garcia Jr.) * Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic (Jonathan L. Ready) * Chapter 13. Homer’s Rivals? Internal Narrators in the Iliad (Adrian Kelly) 6. Works Cited 7. Contributors 8. Index of Terms 9. Index of Passages
1. A Note on Iota Adscript and the Transliteration of Proper Nouns 2. Acknowledgments 3. Introduction (Jonathan L. Ready and Christos C. Tsagalis) 4. Part I. Rhapsodes * Chapter 1. Performance Contexts for Rhapsodic Recitals in the Archaic and Classical Periods (Christos C. Tsagalis) * Chapter 2. Reading Rhapsodes on Athenian Vases (Sheramy D. Bundrick) * Chapter 3. Performance Contexts for Rhapsodic Recitals in the Hellenistic Period (Christos C. Tsagalis) * Chapter 4. Rhapsodes and Rhapsodic Contests in the Imperial Period (Anne Gangloff) * Chapter 5. Formed on the Festival Stage: Plot and Characterization in the Iliad as a Competitive Collaborative Process (Mary R. Bachvarova) * Chapter 6. Did Sappho and Homer Ever Meet? Comparative Perspectives on Homeric Singers (Olga Levaniouk) 5. Part II. Narrators and Characters * Chapter 7. Odysseus Polyonymous (Deborah Beck) * Chapter 8. Embedded Focalization and Free Indirect Speech in Homer as Viewpoint Blending (Anna Bonifazi) * Chapter 9. Speech Training and the Mastery of Context: Thoas the Aetolian and the Practice of Muthoi (Joel P. Christensen) * Chapter 10. Diomedes as Audience and Speaker in the Iliad (James O’Maley) * Chapter 11. Hektor, the Marginal Hero: Performance Theory and the Homeric Monologue (Lorenzo F. Garcia Jr.) * Chapter 12. Performance, Oral Texts, and Entextualization in Homeric Epic (Jonathan L. Ready) * Chapter 13. Homer’s Rivals? Internal Narrators in the Iliad (Adrian Kelly) 6. Works Cited 7. Contributors 8. Index of Terms 9. Index of Passages
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