Casey Dué examines the figure of Briseis, the concubine of Achilles in the Iliad, as an example of the traditional artistry enabled by a complex and self-contained oral poetic system. Briseis' lament for Patroclus inIliad 19 hints at her role in the larger epic tradition. Dué argues that Briseis' role in theIliad is enormously compressed, both in relation to theIliad and the entire tradition of the epic cycle. Through a close reading of Homeric passages, Homeric Variations on a Lament by Briseis shows how the Iliad refers to expanded and alternative traditions about Briseis even while asserting its own version of her story.
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