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"This book examines the historical evolution of Hong Kong action cinema as well as its emergence as a transnational film genre in the era of globalization. It is the most well-organized, theoretically sophisticated, and critically engaging study of the subject that we have seen. It is a pleasure to read each of the essays, which are both erudite and interesting."--Sheldon Lu, coeditor of "Chinese-language Film: Historiography, Poetics, Politics"

Produktbeschreibung
"This book examines the historical evolution of Hong Kong action cinema as well as its emergence as a transnational film genre in the era of globalization. It is the most well-organized, theoretically sophisticated, and critically engaging study of the subject that we have seen. It is a pleasure to read each of the essays, which are both erudite and interesting."--Sheldon Lu, coeditor of "Chinese-language Film: Historiography, Poetics, Politics"
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Autorenporträt
Meaghan Morris is Chair Professor of Cultural Studies and Coordinator of the Kwan Fong Cultural Research and Development Programme at Lingnan University in Hong Kong. Siu Leung Li is an Associate Professor in the Department of Cultural Studies at Lingnan University in Hong Kong. Stephen Chan Ching-kiu is a Professor and Director of the Master of Cultural Studies Programme at Lingnan University in Hong Kong.