Hong Kong Horror Cinema

Herausgeber: Bettinson, Gary; Martin, Daniel

• Broschiertes Buch

Produktbeschreibung

Hong Kong Horror Cinema Edited by Gary Bettinson and Daniel Martin Dumplings stuffed with diabolical fillings. Sword-wielding zombies. Hopping cadavers. Big-head babies. For decades, Hong Kong cinema has served up images of horror quite unlike those found in other parts of the world. In seminal films such as A Chinese Ghost Story, Rouge, The Eye, Dumplings, and Rigor Mortis, the region's filmmakers have pushed the boundaries of genre, cinematic style, and bad taste. But what makes Hong Kong horror cinema so utterly unique? Why does it hold such fascination for "serious" cinephiles and cult fans alike? Hong Kong Horror Cinema is the first English-language study of this delirious and captivating cinematic tradition, offering new insights into the history of Hong Kong horror through case studies of classic films and through a detailed consideration of their aesthetic power, economic significance, and cultural impact in both the global and domestic market. Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University Daniel Martin is Associate Professor of Film Studies at the Korea Advanced Institute of Science and Technology (KAIST)

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Produktdetails

• Verlag: Edinburgh University Press
• Seitenzahl: 240
• Erscheinungstermin: 7. August 2019
• Englisch
• Abmessung: 229mm x 152mm x 10mm
• Gewicht: 249g
• ISBN-13: 9781474452229
• ISBN-10: 1474452221
• Artikelnr.: 57494602

Autorenporträt

Gary Bettinson is Senior Lecturer in Film Studies at Lancaster University. He is the author of The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance (Hong Kong University Press, 2015) and editor of Asian Cinema (Intellect Press). Daniel Martin is Associate Professor of Film Studies in the School of Humanities and Social Sciences at the Korea Advanced Institute of Science and Technology (KAIST). His recent research concerns the international circulation of films from East Asia. He is the author of Extreme Asia: The Rise of Cult Cinema from the Far East (Edinburgh University Press, 2015), co-editor of Korean Horror Cinema (Edinburgh University Press, 2013).

Inhaltsangabe

Acknowledgements; Notes on Contributors; Introduction, Gary Bettinson &
Daniel Martin; Part I: Formations and Fragmentations: The Development of
Hong Kong Horror; Chapter 1: What Can a Neoi Gwei Teach Us? Adaptation as
Reincarnation in Hong Kong Horror of the 1950s, Raymond Tsang; Chapter 2:
The White Snake in Hong Kong Horror Cinema: From Horrific Tales to Crowd
Pleasers, Liang Luo; Chapter 3: From Killer Snakes to Taxi Hunters: Hong
Kong Horror in an Exploitation Context, Andy Willis; Chapter 4: The
Enduring Cult of The Bride with White Hair: Chivalry and the Monstrous
Other in the Hong Kong Fantasy-Horror, Daniel Martin; Part II: Genre
Hybridity: Comedy and Kung-Fu in the Hong Kong Horror; Chapter 5: Animated
Pasts and Unseen Futures: On the Comic Element in Hong Kong Horror, Andrew
Grossman; Chapter 6: Performing (Comic) Abjection in the Hong Kong Ghost
Story, Felicia Chan; Chapter 7: Hands, Fingers, and Fists: 'Grasping' Hong
Kong Horror Films, David Scott Diffrient; Chapter 8: Tsui Hark's Detective
Dee Films: Police Procedural Colludes with Supernatural-Martial Arts
Cinema, Kenneth Chan; Part III: Transnational Trends: Globalization and
Politics in Contemporary Hong Kong Horror; Chapter 9: Cross-Border
Implications: Transnational Haunting, Gender, and the Persistent Look of
The Eye, Enrique Ajuria Ibarra; Chapter 10: Food for Thought: Cannibalism
in The Untold Story and Dumplings, Lisa Odham Stokes; Chapter 11: Sympathy
for the Slasher: Strategies of Character Engagement in Pang Ho-cheung's
Dream Home, Gary Bettinson; Chapter 12: Ghostly Returns: The Politics of
Horror in Hong Kong Cinema, Vivian Lee