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Hotel Des Archives - Tysh, Chris
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Hotel des Archives is a trilogy of books consisting of verse recastings from the French novels of Beckett, Genet and Duras. Synchronous with postmodernism's aesthetics of appropriation, détournement, sampling and other intertextual strategies, the project operates a double shift of genre and language, since she moves from the original French and from prose to lyric. These transcreations, as Tysh has been calling them, allow her to forsake the traditional mode of self-expression in favor of one that "translates" other cultural materials, creating an artistic network beyond boundaries and temporalities.…mehr

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Produktbeschreibung
Hotel des Archives is a trilogy of books consisting of verse recastings from the French novels of Beckett, Genet and Duras. Synchronous with postmodernism's aesthetics of appropriation, détournement, sampling and other intertextual strategies, the project operates a double shift of genre and language, since she moves from the original French and from prose to lyric. These transcreations, as Tysh has been calling them, allow her to forsake the traditional mode of self-expression in favor of one that "translates" other cultural materials, creating an artistic network beyond boundaries and temporalities.
Autorenporträt
Chris Tysh was born and raised in Paris, and studied American literature at the Sorbonne. She was naturalized as a citizen of the United States on July 4th, 1998. Her critical study, Allen Ginsberg, was published in Paris by Editions Seghers in the series Poètes d'Aujourd'hui. She teaches writing and women's studies at Wayne State University in Detroit. Her books include HOTEL DES ARCHIVES: A TRILOGY (Station Hill Press at Barrytown, 2018), OUR LADY OF THE FLOWERS, ECHOIC (Les Figues Press, 2013), MOLLOY: THE FLIP SIDE (BlazeVOX [books], 2012), NIGHT SCALES: A FABLE FOR KLARA K (United Artists Books, 2010), CLEAVAGE (Roof Books, 2004), CONTINUITY GIRL (United Artists Books, 2000), IN THE NAME (Past Tents Press, 1994), and COAT OF ARMS (Station Hill Press of Barrytown, 1992). Her Motor City drama, car men, a play in d, was staged at the Detroit Institute of Arts under the direction of Carla Harryman in 1996. She is a 2003 National Endowment for the Arts fellow.