How Sonata Forms proposes a new bottom-up conceptualization of the history of the sonata as an aggregation of distinct elements found throughout the eighteenth century.
How Sonata Forms proposes a new bottom-up conceptualization of the history of the sonata as an aggregation of distinct elements found throughout the eighteenth century.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Yoel Greenberg is a music theorist, musicologist and violist, currently serving as head of the department of music at Bar-Ilan University and violist with the Carmel Quartet. He holds a first degree in mathematics and computer science, and an MA and PhD in musicology from the Hebrew University, Jerusalem. His research concerns the rise of sonata form using corpus-based methods to inform analysis of individual works. He has also published articles about music and the arts in the early twentieth century, and Jewish music. Greenberg is dedicated to public musical education and presents, together with the Carmel Quartet, the critically acclaimed series of concert-lectures, Strings and More.
Inhaltsangabe
Introduction Chapter 1: The Fuzziness of Form Chapter 2: Wholes in the Theory Chapter 3: From Selfish Sonatas to Egoistic Elements Chapter 4: A Periodic Table of Elements Chapter 5: On Positive Interaction and the Emergence of the Recapitulation Chapter 6: Rival Repeats: On Negative Interaction and Form in Flux Chapter 7: Converging Forms Appendix Bibliography Index
Introduction Chapter 1: The Fuzziness of Form Chapter 2: Wholes in the Theory Chapter 3: From Selfish Sonatas to Egoistic Elements Chapter 4: A Periodic Table of Elements Chapter 5: On Positive Interaction and the Emergence of the Recapitulation Chapter 6: Rival Repeats: On Negative Interaction and Form in Flux Chapter 7: Converging Forms Appendix Bibliography Index
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