How the Past Was Used
Historical Cultures, C. 750-2000
Herausgeber: Lambert, Peter; Weiler, Bjorn K U
How the Past Was Used
Historical Cultures, C. 750-2000
Herausgeber: Lambert, Peter; Weiler, Bjorn K U
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The book explores how human societies have used, constructed, and interpreted their pasts. It ranges chronologically from the Middle Ages to the 21st century, and in worldwide geographical scope. The book probes the concept of the 'invention of tradition' and moves beyond historical writing to embrace a much wider range of media and genres.
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The book explores how human societies have used, constructed, and interpreted their pasts. It ranges chronologically from the Middle Ages to the 21st century, and in worldwide geographical scope. The book probes the concept of the 'invention of tradition' and moves beyond historical writing to embrace a much wider range of media and genres.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Hurst & Co.
- Seitenzahl: 330
- Erscheinungstermin: 24. Oktober 2017
- Englisch
- Abmessung: 236mm x 160mm x 28mm
- Gewicht: 726g
- ISBN-13: 9780197266120
- ISBN-10: 0197266126
- Artikelnr.: 47868925
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Hurst & Co.
- Seitenzahl: 330
- Erscheinungstermin: 24. Oktober 2017
- Englisch
- Abmessung: 236mm x 160mm x 28mm
- Gewicht: 726g
- ISBN-13: 9780197266120
- ISBN-10: 0197266126
- Artikelnr.: 47868925
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Peter Lambert is Lecturer in Modern European History at Aberystwyth University. He works on historical culture in Nazi Germany, and the professionalization of History in the twentieth century. Publications include Mass Dictatorship as Ever-Present Past (2013), Historikerdialoge (2004), and Making History (2003). He is currently completing a study on the reception of Widukind and Charlemagne in the Third Reich. Björn Weiler is Professor in History at Aberystwyth University. A historian of high medieval Europe, he has held visiting fellowships in Bergen, Cambridge (UK), Freiburg im Breisgau, and at Harvard. Publications include England and Europe in the Reign of Henry III (with Ifor Rowlands, 2002), King Henry III of England and the Staufen Empire (2006), Kingship, Rebellion and Political Culture (2007), and Representations of Power in Medieval Germany (with Simon MacLean, 2006). He is working on a book on the experience of the past in high medieval Europe.
* Introduction
* I. What is Historical Culture?
* II. Themes in Historical Culture
* 1: Dimitris Krallis: Imagining Rome in Medieval Constantinople:
Memory, Politics, and the Past in the Middle Byzantine Period
* 2: Haki Antonsson: The Present and the Past in the Sagas of
Icelanders
* 3: Björn Weiler: Monastic Historical Culture and the Utility of a
Remote Past: The Case of Matthew Paris
* 4: Dimitri Kastritsis: Legend and Historical Experience in
Fifteenth-Century Ottoman Narratives of the Past
* 5: Richard Kagan: The Chronicler and the Count: Law, Libel, and
History in the Early Modern Atlantic World
* 6: Allison Busch: The Poetry of History in Early Modern India
* 7: Peter Lambert: The Immediacy of a Remote Past: The Saxon Wars of
772-804 in the 'Cultural Struggles' of the Third Reich
* 8: Matthew Phillips: Ancient Past, Modern Ceremony: Thailand's Royal
Barge Procession in Historical Context
* 9: Joanne Rappaport: La Rosca de Investigación y Acción Social:
Reimagining History as Collaborative Exchange in 1970s Colombia
* 10: T.H. Barrett: Chinese History as a Constructed Continuity: The
Work of Rao Zongyi
* 11: Richard Rathbone: Memory as Theatre: Using a Ghanaian Ritual to
Recall Past Greatness and to Redress Recent Reverses
* Conclusion: Future Directions?
* I. What is Historical Culture?
* II. Themes in Historical Culture
* 1: Dimitris Krallis: Imagining Rome in Medieval Constantinople:
Memory, Politics, and the Past in the Middle Byzantine Period
* 2: Haki Antonsson: The Present and the Past in the Sagas of
Icelanders
* 3: Björn Weiler: Monastic Historical Culture and the Utility of a
Remote Past: The Case of Matthew Paris
* 4: Dimitri Kastritsis: Legend and Historical Experience in
Fifteenth-Century Ottoman Narratives of the Past
* 5: Richard Kagan: The Chronicler and the Count: Law, Libel, and
History in the Early Modern Atlantic World
* 6: Allison Busch: The Poetry of History in Early Modern India
* 7: Peter Lambert: The Immediacy of a Remote Past: The Saxon Wars of
772-804 in the 'Cultural Struggles' of the Third Reich
* 8: Matthew Phillips: Ancient Past, Modern Ceremony: Thailand's Royal
Barge Procession in Historical Context
* 9: Joanne Rappaport: La Rosca de Investigación y Acción Social:
Reimagining History as Collaborative Exchange in 1970s Colombia
* 10: T.H. Barrett: Chinese History as a Constructed Continuity: The
Work of Rao Zongyi
* 11: Richard Rathbone: Memory as Theatre: Using a Ghanaian Ritual to
Recall Past Greatness and to Redress Recent Reverses
* Conclusion: Future Directions?
* Introduction
* I. What is Historical Culture?
* II. Themes in Historical Culture
* 1: Dimitris Krallis: Imagining Rome in Medieval Constantinople:
Memory, Politics, and the Past in the Middle Byzantine Period
* 2: Haki Antonsson: The Present and the Past in the Sagas of
Icelanders
* 3: Björn Weiler: Monastic Historical Culture and the Utility of a
Remote Past: The Case of Matthew Paris
* 4: Dimitri Kastritsis: Legend and Historical Experience in
Fifteenth-Century Ottoman Narratives of the Past
* 5: Richard Kagan: The Chronicler and the Count: Law, Libel, and
History in the Early Modern Atlantic World
* 6: Allison Busch: The Poetry of History in Early Modern India
* 7: Peter Lambert: The Immediacy of a Remote Past: The Saxon Wars of
772-804 in the 'Cultural Struggles' of the Third Reich
* 8: Matthew Phillips: Ancient Past, Modern Ceremony: Thailand's Royal
Barge Procession in Historical Context
* 9: Joanne Rappaport: La Rosca de Investigación y Acción Social:
Reimagining History as Collaborative Exchange in 1970s Colombia
* 10: T.H. Barrett: Chinese History as a Constructed Continuity: The
Work of Rao Zongyi
* 11: Richard Rathbone: Memory as Theatre: Using a Ghanaian Ritual to
Recall Past Greatness and to Redress Recent Reverses
* Conclusion: Future Directions?
* I. What is Historical Culture?
* II. Themes in Historical Culture
* 1: Dimitris Krallis: Imagining Rome in Medieval Constantinople:
Memory, Politics, and the Past in the Middle Byzantine Period
* 2: Haki Antonsson: The Present and the Past in the Sagas of
Icelanders
* 3: Björn Weiler: Monastic Historical Culture and the Utility of a
Remote Past: The Case of Matthew Paris
* 4: Dimitri Kastritsis: Legend and Historical Experience in
Fifteenth-Century Ottoman Narratives of the Past
* 5: Richard Kagan: The Chronicler and the Count: Law, Libel, and
History in the Early Modern Atlantic World
* 6: Allison Busch: The Poetry of History in Early Modern India
* 7: Peter Lambert: The Immediacy of a Remote Past: The Saxon Wars of
772-804 in the 'Cultural Struggles' of the Third Reich
* 8: Matthew Phillips: Ancient Past, Modern Ceremony: Thailand's Royal
Barge Procession in Historical Context
* 9: Joanne Rappaport: La Rosca de Investigación y Acción Social:
Reimagining History as Collaborative Exchange in 1970s Colombia
* 10: T.H. Barrett: Chinese History as a Constructed Continuity: The
Work of Rao Zongyi
* 11: Richard Rathbone: Memory as Theatre: Using a Ghanaian Ritual to
Recall Past Greatness and to Redress Recent Reverses
* Conclusion: Future Directions?