David Young
How to Direct a Musical
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David Young
How to Direct a Musical
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- Produkterinnerung
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 180
- Erscheinungstermin: 29. Juni 2015
- Englisch
- Abmessung: 229mm x 185mm x 10mm
- Gewicht: 340g
- ISBN-13: 9781138870567
- ISBN-10: 1138870560
- Artikelnr.: 42801399
- Verlag: Taylor & Francis
- Seitenzahl: 180
- Erscheinungstermin: 29. Juni 2015
- Englisch
- Abmessung: 229mm x 185mm x 10mm
- Gewicht: 340g
- ISBN-13: 9781138870567
- ISBN-10: 1138870560
- Artikelnr.: 42801399
David Young is Producing Director of the Kennedy Center American College Theater Festival.
Part I: Before Rehersals Begin: 1. The Guide
2. The Diary
3. Director's Book
4. Plot of the Musical Fanny
5. Checklist of Important Points in Each Musical Production
6. Script Analysis
7. Setting the Style of Your Musical - Exploring the Musicals of the 1980s and 1990s
8. First Exercise
9. Collaborating with Designers, Crew, and Staff (first production meeting)
10. Specifics: costumes and wigs, sets (design and sketches), makeup, sound and lights, props and set dressing, stage manager, production book, rehearsal pianist
11. Musical Director and Choreographer
12. The Director Who Stages His/Her Own Dances
13. For the Director Who Has Never Staged a Dance Number
Part II: Auditions and Casting: 14. Sample Notice
15. Early Challenges
Part III: The Beginning - First Rehearsals: 16. Rehearsal Schedule
17. Sample Autobiographies
18. Blocking (samples to use)
19. Staging the Musical Numbers (Diagrams Included)
20. Comparison of Similarities in Musical Numbers
21. Putting Together a Multicultural Musical Revue
Part IV: Working With Singer/Dancers on Acting - The Early Stages: 22. Where Are We?
23. Listening: a Most Important Tool
24. Characterization
25. Think Time for the Director
26. Improvisation Theatre Games - To Help Strengthen and Enliven Rehearsals as the Pressure Begins
Part V: Specific Challenges - Midway: 27. Pulling the Musical Numbers Together
28. Talking about Comedy
29. Farce - A Special Kind of Comedy
30. Stage Fights - How We Did Them!
31. Accents
32. Helping Singers to Age Realistically
33. Aging Americans and the Theatre
34. More Production Meetings
35. Microphones
36. Orchestra Rehearsals
37. Update and Relaxers
38. Run Through
Part VI: Pacing, Blending, Streamlining: 39. Pauses, How to Eliminate the Unwanted Ones
40. Special Rehearsal
41. Sorting Out
42. Plugging Along - Then Disaster
43. Concentration - The Dustin Hoffman Story
44. Videotaping could Help
45. Publicity and Photographs - Necessary Interruptions
Part VII: Ontage - Finally: 46. Lights/Sound, Dry Tech
47. Rehearsals with Sets, Costumes, and Tech
48. More Observations
49. Some Breakthroughs
50. Fine-Tuning the Songs
51. Last Dress Rehearsals - Progress
52. Staging the Curtain Calls
53. Preview
54. Opening Night
55. Evaluation
Part VIII: Appendices: 56. Understanding and Directing Young People and Teens
57. Concerning Special Talents, or Whose Disability is it Anyway?
58. How to Stage Musical Numbers
59. The Choreographer/Director
60. Computers for the Musical Theatre.
2. The Diary
3. Director's Book
4. Plot of the Musical Fanny
5. Checklist of Important Points in Each Musical Production
6. Script Analysis
7. Setting the Style of Your Musical - Exploring the Musicals of the 1980s and 1990s
8. First Exercise
9. Collaborating with Designers, Crew, and Staff (first production meeting)
10. Specifics: costumes and wigs, sets (design and sketches), makeup, sound and lights, props and set dressing, stage manager, production book, rehearsal pianist
11. Musical Director and Choreographer
12. The Director Who Stages His/Her Own Dances
13. For the Director Who Has Never Staged a Dance Number
Part II: Auditions and Casting: 14. Sample Notice
15. Early Challenges
Part III: The Beginning - First Rehearsals: 16. Rehearsal Schedule
17. Sample Autobiographies
18. Blocking (samples to use)
19. Staging the Musical Numbers (Diagrams Included)
20. Comparison of Similarities in Musical Numbers
21. Putting Together a Multicultural Musical Revue
Part IV: Working With Singer/Dancers on Acting - The Early Stages: 22. Where Are We?
23. Listening: a Most Important Tool
24. Characterization
25. Think Time for the Director
26. Improvisation Theatre Games - To Help Strengthen and Enliven Rehearsals as the Pressure Begins
Part V: Specific Challenges - Midway: 27. Pulling the Musical Numbers Together
28. Talking about Comedy
29. Farce - A Special Kind of Comedy
30. Stage Fights - How We Did Them!
31. Accents
32. Helping Singers to Age Realistically
33. Aging Americans and the Theatre
34. More Production Meetings
35. Microphones
36. Orchestra Rehearsals
37. Update and Relaxers
38. Run Through
Part VI: Pacing, Blending, Streamlining: 39. Pauses, How to Eliminate the Unwanted Ones
40. Special Rehearsal
41. Sorting Out
42. Plugging Along - Then Disaster
43. Concentration - The Dustin Hoffman Story
44. Videotaping could Help
45. Publicity and Photographs - Necessary Interruptions
Part VII: Ontage - Finally: 46. Lights/Sound, Dry Tech
47. Rehearsals with Sets, Costumes, and Tech
48. More Observations
49. Some Breakthroughs
50. Fine-Tuning the Songs
51. Last Dress Rehearsals - Progress
52. Staging the Curtain Calls
53. Preview
54. Opening Night
55. Evaluation
Part VIII: Appendices: 56. Understanding and Directing Young People and Teens
57. Concerning Special Talents, or Whose Disability is it Anyway?
58. How to Stage Musical Numbers
59. The Choreographer/Director
60. Computers for the Musical Theatre.
Part I: Before Rehersals Begin: 1. The Guide
2. The Diary
3. Director's Book
4. Plot of the Musical Fanny
5. Checklist of Important Points in Each Musical Production
6. Script Analysis
7. Setting the Style of Your Musical - Exploring the Musicals of the 1980s and 1990s
8. First Exercise
9. Collaborating with Designers, Crew, and Staff (first production meeting)
10. Specifics: costumes and wigs, sets (design and sketches), makeup, sound and lights, props and set dressing, stage manager, production book, rehearsal pianist
11. Musical Director and Choreographer
12. The Director Who Stages His/Her Own Dances
13. For the Director Who Has Never Staged a Dance Number
Part II: Auditions and Casting: 14. Sample Notice
15. Early Challenges
Part III: The Beginning - First Rehearsals: 16. Rehearsal Schedule
17. Sample Autobiographies
18. Blocking (samples to use)
19. Staging the Musical Numbers (Diagrams Included)
20. Comparison of Similarities in Musical Numbers
21. Putting Together a Multicultural Musical Revue
Part IV: Working With Singer/Dancers on Acting - The Early Stages: 22. Where Are We?
23. Listening: a Most Important Tool
24. Characterization
25. Think Time for the Director
26. Improvisation Theatre Games - To Help Strengthen and Enliven Rehearsals as the Pressure Begins
Part V: Specific Challenges - Midway: 27. Pulling the Musical Numbers Together
28. Talking about Comedy
29. Farce - A Special Kind of Comedy
30. Stage Fights - How We Did Them!
31. Accents
32. Helping Singers to Age Realistically
33. Aging Americans and the Theatre
34. More Production Meetings
35. Microphones
36. Orchestra Rehearsals
37. Update and Relaxers
38. Run Through
Part VI: Pacing, Blending, Streamlining: 39. Pauses, How to Eliminate the Unwanted Ones
40. Special Rehearsal
41. Sorting Out
42. Plugging Along - Then Disaster
43. Concentration - The Dustin Hoffman Story
44. Videotaping could Help
45. Publicity and Photographs - Necessary Interruptions
Part VII: Ontage - Finally: 46. Lights/Sound, Dry Tech
47. Rehearsals with Sets, Costumes, and Tech
48. More Observations
49. Some Breakthroughs
50. Fine-Tuning the Songs
51. Last Dress Rehearsals - Progress
52. Staging the Curtain Calls
53. Preview
54. Opening Night
55. Evaluation
Part VIII: Appendices: 56. Understanding and Directing Young People and Teens
57. Concerning Special Talents, or Whose Disability is it Anyway?
58. How to Stage Musical Numbers
59. The Choreographer/Director
60. Computers for the Musical Theatre.
2. The Diary
3. Director's Book
4. Plot of the Musical Fanny
5. Checklist of Important Points in Each Musical Production
6. Script Analysis
7. Setting the Style of Your Musical - Exploring the Musicals of the 1980s and 1990s
8. First Exercise
9. Collaborating with Designers, Crew, and Staff (first production meeting)
10. Specifics: costumes and wigs, sets (design and sketches), makeup, sound and lights, props and set dressing, stage manager, production book, rehearsal pianist
11. Musical Director and Choreographer
12. The Director Who Stages His/Her Own Dances
13. For the Director Who Has Never Staged a Dance Number
Part II: Auditions and Casting: 14. Sample Notice
15. Early Challenges
Part III: The Beginning - First Rehearsals: 16. Rehearsal Schedule
17. Sample Autobiographies
18. Blocking (samples to use)
19. Staging the Musical Numbers (Diagrams Included)
20. Comparison of Similarities in Musical Numbers
21. Putting Together a Multicultural Musical Revue
Part IV: Working With Singer/Dancers on Acting - The Early Stages: 22. Where Are We?
23. Listening: a Most Important Tool
24. Characterization
25. Think Time for the Director
26. Improvisation Theatre Games - To Help Strengthen and Enliven Rehearsals as the Pressure Begins
Part V: Specific Challenges - Midway: 27. Pulling the Musical Numbers Together
28. Talking about Comedy
29. Farce - A Special Kind of Comedy
30. Stage Fights - How We Did Them!
31. Accents
32. Helping Singers to Age Realistically
33. Aging Americans and the Theatre
34. More Production Meetings
35. Microphones
36. Orchestra Rehearsals
37. Update and Relaxers
38. Run Through
Part VI: Pacing, Blending, Streamlining: 39. Pauses, How to Eliminate the Unwanted Ones
40. Special Rehearsal
41. Sorting Out
42. Plugging Along - Then Disaster
43. Concentration - The Dustin Hoffman Story
44. Videotaping could Help
45. Publicity and Photographs - Necessary Interruptions
Part VII: Ontage - Finally: 46. Lights/Sound, Dry Tech
47. Rehearsals with Sets, Costumes, and Tech
48. More Observations
49. Some Breakthroughs
50. Fine-Tuning the Songs
51. Last Dress Rehearsals - Progress
52. Staging the Curtain Calls
53. Preview
54. Opening Night
55. Evaluation
Part VIII: Appendices: 56. Understanding and Directing Young People and Teens
57. Concerning Special Talents, or Whose Disability is it Anyway?
58. How to Stage Musical Numbers
59. The Choreographer/Director
60. Computers for the Musical Theatre.