Adrian Noble
How to Direct Shakespeare
Adrian Noble
How to Direct Shakespeare
- Broschiertes Buch
Steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, How to Direct Shakespeare equips you to direct any text. It guides you through each step of a production, from conception to final presentation to an audience, and along the way covers close analysis of the text, creating your vision for the production as you collaborate with the design team, cast the play and work with actors in rehearsal, and the encounter with the audience as you open your production. With detailed examples from his own practice, this is an inspirational and practical guide.
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Steeped in the wisdom and expertise of one of the great Shakespearean directors of our age, How to Direct Shakespeare equips you to direct any text. It guides you through each step of a production, from conception to final presentation to an audience, and along the way covers close analysis of the text, creating your vision for the production as you collaborate with the design team, cast the play and work with actors in rehearsal, and the encounter with the audience as you open your production. With detailed examples from his own practice, this is an inspirational and practical guide.
Produktdetails
- Produktdetails
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 248
- Erscheinungstermin: 8. September 2022
- Englisch
- Abmessung: 138mm x 215mm x 22mm
- Gewicht: 322g
- ISBN-13: 9781350231238
- ISBN-10: 1350231231
- Artikelnr.: 63090050
- Verlag: Bloomsbury Publishing PLC
- Seitenzahl: 248
- Erscheinungstermin: 8. September 2022
- Englisch
- Abmessung: 138mm x 215mm x 22mm
- Gewicht: 322g
- ISBN-13: 9781350231238
- ISBN-10: 1350231231
- Artikelnr.: 63090050
Adrian Noble is a freelance director of theatre, opera and film, whose work can be seen in the UK, USA, Canada, China, Hong Kong and across Europe. He was the Artistic Director of The Royal Shakespeare Company, 1991-2003, and of the Shakespeare Festival, San Diego, USA, 2010-2013. In 2014 Nobel was Mellon Visiting Artist and Thinker at Columbia University, USA. He is the recipient of multiple awards and honours in the UK, USA and Europe.
Acknowledgements and thanks List of Illustrations Introduction Chapter 1:
You Chapter 2: Him Chapter 3: The Director and the text Part 1: The World
(Who's Who) Part 2: Reading the Play Part 3: Analysing the Play Part 4:
Entering Shakespeare's World Chapter 4: Awayday One; Dramatic Energy (How
does he do it?) 1: Apposition 2: Metaphor 3: Metre and Pulse 4: Line
Endings 5: Word Play 6: Vocabulary 7: Shape and Structure Chapter 5: Let's
Design it! The Eye To Start: 1: Wall of Ideas 2: Read the Play 3: Analyse
4: Brainstorm The Model A Methodology Space The mechanics Floors Entrances
Axes Walls The Skeleton of the Play The Journey and two Casebooks Playtime
"In the Round" Thrust Technology (How to get from A to B) Colour, Texture
and Decoration Storyboard Show and Tell Costume and the Actor Working with
Lighting Designers Chapter 6: Design (The Ear) Music and Sound Chapter 7:
Casting the Play 1. The Actor's World 2. Do I Cast the Part or the Actor?
3. The Process 4. Putting it Together Chapter 8: Awayday Two: Stanislavski
and Actioning Chapter 9: To Cut or Not to Cut Length Shape Choice of
Edition Chapter 10: The Rehearsal Plan The Traditional Way Basic Aims of
Rehearsal Making a Plan Chapter 11: Rehearsing the Play; the Beginning The
Rehearsal Room Stage Management An Approach to Day One of Rehearsals
Chapter 12: Awayday Three: Improvisation 1. Building a Company 2. Building
a Character 3. Developing Relationships and Exploring the World of the Play
4. Exploring Scenes and Situations without using the text Chapter 13:
Rehearsing the Play: End of the Beginning Work on Language Work on
Character Chapter 14: Rehearsing the Play: Middle Aims for Middle Section
of Rehearsals Examples from Romeo and Juliet "The Tank" Blocking Blocking
Large Scale Scenes Second Pass at Scenes What to do if your Actors get
Inhibited or Stuck Chapter 15: Rehearsing the Play: End First Run Through:
How does it Work? How to give your Notes Second and Third Run Throughs
Preparing for the Theatre Chapter 16: The "Tech", "Dress", Previews and
Opening 1. The Tech; How to set up a Tech and how to run a Tech 2. The
Dress 3. Curtain Calls 4. Previews 5. Opening Index
You Chapter 2: Him Chapter 3: The Director and the text Part 1: The World
(Who's Who) Part 2: Reading the Play Part 3: Analysing the Play Part 4:
Entering Shakespeare's World Chapter 4: Awayday One; Dramatic Energy (How
does he do it?) 1: Apposition 2: Metaphor 3: Metre and Pulse 4: Line
Endings 5: Word Play 6: Vocabulary 7: Shape and Structure Chapter 5: Let's
Design it! The Eye To Start: 1: Wall of Ideas 2: Read the Play 3: Analyse
4: Brainstorm The Model A Methodology Space The mechanics Floors Entrances
Axes Walls The Skeleton of the Play The Journey and two Casebooks Playtime
"In the Round" Thrust Technology (How to get from A to B) Colour, Texture
and Decoration Storyboard Show and Tell Costume and the Actor Working with
Lighting Designers Chapter 6: Design (The Ear) Music and Sound Chapter 7:
Casting the Play 1. The Actor's World 2. Do I Cast the Part or the Actor?
3. The Process 4. Putting it Together Chapter 8: Awayday Two: Stanislavski
and Actioning Chapter 9: To Cut or Not to Cut Length Shape Choice of
Edition Chapter 10: The Rehearsal Plan The Traditional Way Basic Aims of
Rehearsal Making a Plan Chapter 11: Rehearsing the Play; the Beginning The
Rehearsal Room Stage Management An Approach to Day One of Rehearsals
Chapter 12: Awayday Three: Improvisation 1. Building a Company 2. Building
a Character 3. Developing Relationships and Exploring the World of the Play
4. Exploring Scenes and Situations without using the text Chapter 13:
Rehearsing the Play: End of the Beginning Work on Language Work on
Character Chapter 14: Rehearsing the Play: Middle Aims for Middle Section
of Rehearsals Examples from Romeo and Juliet "The Tank" Blocking Blocking
Large Scale Scenes Second Pass at Scenes What to do if your Actors get
Inhibited or Stuck Chapter 15: Rehearsing the Play: End First Run Through:
How does it Work? How to give your Notes Second and Third Run Throughs
Preparing for the Theatre Chapter 16: The "Tech", "Dress", Previews and
Opening 1. The Tech; How to set up a Tech and how to run a Tech 2. The
Dress 3. Curtain Calls 4. Previews 5. Opening Index
Acknowledgements and thanks List of Illustrations Introduction Chapter 1:
You Chapter 2: Him Chapter 3: The Director and the text Part 1: The World
(Who's Who) Part 2: Reading the Play Part 3: Analysing the Play Part 4:
Entering Shakespeare's World Chapter 4: Awayday One; Dramatic Energy (How
does he do it?) 1: Apposition 2: Metaphor 3: Metre and Pulse 4: Line
Endings 5: Word Play 6: Vocabulary 7: Shape and Structure Chapter 5: Let's
Design it! The Eye To Start: 1: Wall of Ideas 2: Read the Play 3: Analyse
4: Brainstorm The Model A Methodology Space The mechanics Floors Entrances
Axes Walls The Skeleton of the Play The Journey and two Casebooks Playtime
"In the Round" Thrust Technology (How to get from A to B) Colour, Texture
and Decoration Storyboard Show and Tell Costume and the Actor Working with
Lighting Designers Chapter 6: Design (The Ear) Music and Sound Chapter 7:
Casting the Play 1. The Actor's World 2. Do I Cast the Part or the Actor?
3. The Process 4. Putting it Together Chapter 8: Awayday Two: Stanislavski
and Actioning Chapter 9: To Cut or Not to Cut Length Shape Choice of
Edition Chapter 10: The Rehearsal Plan The Traditional Way Basic Aims of
Rehearsal Making a Plan Chapter 11: Rehearsing the Play; the Beginning The
Rehearsal Room Stage Management An Approach to Day One of Rehearsals
Chapter 12: Awayday Three: Improvisation 1. Building a Company 2. Building
a Character 3. Developing Relationships and Exploring the World of the Play
4. Exploring Scenes and Situations without using the text Chapter 13:
Rehearsing the Play: End of the Beginning Work on Language Work on
Character Chapter 14: Rehearsing the Play: Middle Aims for Middle Section
of Rehearsals Examples from Romeo and Juliet "The Tank" Blocking Blocking
Large Scale Scenes Second Pass at Scenes What to do if your Actors get
Inhibited or Stuck Chapter 15: Rehearsing the Play: End First Run Through:
How does it Work? How to give your Notes Second and Third Run Throughs
Preparing for the Theatre Chapter 16: The "Tech", "Dress", Previews and
Opening 1. The Tech; How to set up a Tech and how to run a Tech 2. The
Dress 3. Curtain Calls 4. Previews 5. Opening Index
You Chapter 2: Him Chapter 3: The Director and the text Part 1: The World
(Who's Who) Part 2: Reading the Play Part 3: Analysing the Play Part 4:
Entering Shakespeare's World Chapter 4: Awayday One; Dramatic Energy (How
does he do it?) 1: Apposition 2: Metaphor 3: Metre and Pulse 4: Line
Endings 5: Word Play 6: Vocabulary 7: Shape and Structure Chapter 5: Let's
Design it! The Eye To Start: 1: Wall of Ideas 2: Read the Play 3: Analyse
4: Brainstorm The Model A Methodology Space The mechanics Floors Entrances
Axes Walls The Skeleton of the Play The Journey and two Casebooks Playtime
"In the Round" Thrust Technology (How to get from A to B) Colour, Texture
and Decoration Storyboard Show and Tell Costume and the Actor Working with
Lighting Designers Chapter 6: Design (The Ear) Music and Sound Chapter 7:
Casting the Play 1. The Actor's World 2. Do I Cast the Part or the Actor?
3. The Process 4. Putting it Together Chapter 8: Awayday Two: Stanislavski
and Actioning Chapter 9: To Cut or Not to Cut Length Shape Choice of
Edition Chapter 10: The Rehearsal Plan The Traditional Way Basic Aims of
Rehearsal Making a Plan Chapter 11: Rehearsing the Play; the Beginning The
Rehearsal Room Stage Management An Approach to Day One of Rehearsals
Chapter 12: Awayday Three: Improvisation 1. Building a Company 2. Building
a Character 3. Developing Relationships and Exploring the World of the Play
4. Exploring Scenes and Situations without using the text Chapter 13:
Rehearsing the Play: End of the Beginning Work on Language Work on
Character Chapter 14: Rehearsing the Play: Middle Aims for Middle Section
of Rehearsals Examples from Romeo and Juliet "The Tank" Blocking Blocking
Large Scale Scenes Second Pass at Scenes What to do if your Actors get
Inhibited or Stuck Chapter 15: Rehearsing the Play: End First Run Through:
How does it Work? How to give your Notes Second and Third Run Throughs
Preparing for the Theatre Chapter 16: The "Tech", "Dress", Previews and
Opening 1. The Tech; How to set up a Tech and how to run a Tech 2. The
Dress 3. Curtain Calls 4. Previews 5. Opening Index