How to Watch Television, Second Edition
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"This revised edition includes 22 new essays that expand the scope of the book in a number of ways. All of the new entries come from authors who were not in the first edition (except new chapters from the two editors) . . . . The 18 essays that remain from the first edition were some of the most successful pieces according to faculty and students who used the book, and cover many programs that still remain well-known years later. It was difficult removing the other essays from the original, as they all added important perspectives on a range of programs; thankfully, NYU Press has made all of…mehr

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Produktbeschreibung
"This revised edition includes 22 new essays that expand the scope of the book in a number of ways. All of the new entries come from authors who were not in the first edition (except new chapters from the two editors) . . . . The 18 essays that remain from the first edition were some of the most successful pieces according to faculty and students who used the book, and cover many programs that still remain well-known years later. It was difficult removing the other essays from the original, as they all added important perspectives on a range of programs; thankfully, NYU Press has made all of these first edition essays available on their website so that readers can still access them"-- Preface to the second edition.
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Autorenporträt
Ethan Thompson is Professor of Media Arts at Texas A&M University-Corpus Christi. He is the author of Parody and Taste in Postwar American Television Culture and co-editor of Television History, the Peabody Archive, and Cultural Memory and Satire TV: Politics and Comedy in the Post-Network Era. He directed the documentary TV Family about a forgotten forerunner to reality television. Jason Mittell is Professor of Film & Media Culture at Middlebury College. His books include Genre & Television: From Cop Shows to Cartoons in American Culture, Television & American Culture, and Complex Television: The Poetics of Contemporary Television Storytelling, and Narrative Theory and Adaptation. He is project manager for [in]Transition: Journal of Videographic Film & Moving Image Studies, and author of numerous video essays.