How We Speak to One Another
Herausgeber: Monson, Ander; Reinbold, Craig
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How We Speak to One Another
Herausgeber: Monson, Ander; Reinbold, Craig
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The best of Essay Daily-each a writer in conversation with and about an essay, whatever its variety, contemporary and classic.
The best of Essay Daily-each a writer in conversation with and about an essay, whatever its variety, contemporary and classic.
Produktdetails
- Produktdetails
- Verlag: Coffee House Press
- Seitenzahl: 275
- Erscheinungstermin: 14. März 2017
- Englisch
- Abmessung: 226mm x 150mm x 23mm
- Gewicht: 454g
- ISBN-13: 9781566894579
- ISBN-10: 1566894573
- Artikelnr.: 44798480
- Verlag: Coffee House Press
- Seitenzahl: 275
- Erscheinungstermin: 14. März 2017
- Englisch
- Abmessung: 226mm x 150mm x 23mm
- Gewicht: 454g
- ISBN-13: 9781566894579
- ISBN-10: 1566894573
- Artikelnr.: 44798480
Ander Monson is the author, most recently, of Letter to a Future Lover: Marginalia, Errata, Secrets, Inscriptions, and Other Ephemera Found in Libraries (Graywolf Press). He is also the author of Vanishing Point, a finalist for the National Book Critics Circle Award, and Neck Deep and Other Predicaments. He edits DIAGRAM and the New Michigan Press. Monson lives in Tucson and teaches in the MFA program at the University of Arizona. Craig Reinbold's writing has appeared in journals and magazines including the Gettysburg Review, Iowa Review, New England Review, Guernica, Gulf Coast, and Brevity. He was the managing editor of Essay Daily from 2013-2016, and at the moment spends his days alternately hanging out with his two toddler boys and studying to become a nurse.
Introduction
* A Fat Man Story: ANDER MONSON on HL Mencken's "A Forgotten Anniversary"
* MARCIA ALDRICH on Bernard Cooper Invisible Engineering: The Fine Art of
Revising: "The Fine Art of Sighing"
* MARYA HORNBACHER on What an Essay is Not
* KRISTEN RADTKE on Chris Marker's "Sans Soleil"
* Majestic Ruins: ROBIN HEMLEY on The Work of James Agee
* MARGOT SINGER on Relics, Alchemy, and Primo Levi's "Chromium"
* ROBERT ATWAN: The Assault on Prose: John Crowe Ransom, New Criticism, and
the Status of the Essay
* LUCAS MANN: On Writing Young
* MATT DUBE on Joan Didion, Repo Man, and a '76 Malibu
* MARK EHLING: "Two Clowns on Tarkovsky"
* T CLUTCH FLEISCHMANN Wants You to Read Samuel Delany
* KATI STANDEFER on the Mysterious Leslie Ryan and the Structure of a
Trauma Narrative
* JULIE LAUTERBACH-COLBY on Arianne Zwartjes' "This Suturing of Wounds and
Words" and Kisha Lewellyn Schlegel's "Cannulated Screw"
* Living Within the Ellipses: CÉSAR DIAZ on Ilan Stavans' book On Borrowed
Words: A Memoir of Language
* SEAN LOVELACE on Augusto Monterroso's "Fecundity"
* SEAN PRENTISS on Charles Bowden's "Torch Song"
* EMILY DEPRANG on Joan Didion: On the Morning After My Twenties
* Email from BONNIE J. ROUGH
* STEVEN BARTHELME: Talent and Fifty Cents
* ALISON HAWTHORN DEMING on Julian Barnes
* STEVEN CHURCH on Tom Junod's "The Falling Man"
* BETHANY MAILE: We Sought But Couldn't Find - Coming Up Empty in David
Shields' "Death is the Mother of Beauty"
* GENINE LENTINE on Michael Cunningham & the Nemesis
* Movie Quotes as Misery: DAVID LEGAULT on Claudia Rankine's "Don't Let Me
Be Lonely"
* CASSANDRA KIRCHER: On E.B. White, Adoption, and Writing Hybrid Reviews
* JONI TEVIS on the Long Lyric Essay
* MICHAEL MARTONE: More or Less: the Camouflage Schemes of the Fictive
Essay
* JOHN D'AGATA: The Essays of Ansel Adams: An Allegory
* MEEHAN CRIST's 10 Thoughts on Elision
* CRAIG REINBOLD: John D'Agata Breaks Rules, Windows
* NED STUCKEY-FRENCH: Time for a New Essay - Eric Walrond's "On Being
Black"
* THOMAS MIRA Y LOPEZ on Donald Hall's "Out the Window"
* JILL TALBOT on The VanMeteresque
* DANIELLE DEULEN on the Virtues of Drowning: Lidia Yuknavitch's The
Chronology of Water
* COLIN RAFFERTY on Sherman Alexie's "My Encounters With the Homeless
People of the Pacific Northwest"
* JOHN T. PRICE: On Hoagland, Animal Obsession, and the Courage of Simile
* MAYA L. KAPOOR on Writing Trout
* CHELSEA BIONDOLILLO: On Long Winters, Short Essays, and a Sky that
Stretches Forever
* MEGAN KIMBLE on Wendell Berry and Why I'm Not Going to Buy A Smartphone
* BRIAN DOYLE: It is a Shaggy World, Studded with Gardens
* PETER JAY SHIPPY: Angle On
* NICOLE WALKER on Rebecca Campbell's Thick Paint
* PAUL LISICKY on The Fugue, Alison Bechdel's Are You My Mother, DFW, and
the Resistance to the One Thing
* ALISO STINE on Street Art
* BRIAN OLIU on The Squared Circle: Life, Death, and Professional Wrestling
by David Shoemaker
* PAM HOUSTON on Rick Reilly's "Need a Fourth" from Sports Illustrated,
March 31, 1997
* DAVE MONDY on Jim Bouton
* PHILLIP LOPATE on A Little-Known Gem by Max Beerbohm
* JOY CASTRO on Margery Latimer's "The New Freedom": A Manifesto of the
Modernist as a Young Woman
* AMY BENSON on Eliot Weinberger's "Wrens"
* WENDY RAWLINGS on Natalia Ginzburg's The Little Virtues
* PATRICK MADDEN on Charles Lamb's "New Year's Eve"
* ELENA PASSARELLO on the Book of Days
* PATRICIA VIGDERMAN on Alexander Stille
* RYAN VAN METER on Endings
* A Fat Man Story: ANDER MONSON on HL Mencken's "A Forgotten Anniversary"
* MARCIA ALDRICH on Bernard Cooper Invisible Engineering: The Fine Art of
Revising: "The Fine Art of Sighing"
* MARYA HORNBACHER on What an Essay is Not
* KRISTEN RADTKE on Chris Marker's "Sans Soleil"
* Majestic Ruins: ROBIN HEMLEY on The Work of James Agee
* MARGOT SINGER on Relics, Alchemy, and Primo Levi's "Chromium"
* ROBERT ATWAN: The Assault on Prose: John Crowe Ransom, New Criticism, and
the Status of the Essay
* LUCAS MANN: On Writing Young
* MATT DUBE on Joan Didion, Repo Man, and a '76 Malibu
* MARK EHLING: "Two Clowns on Tarkovsky"
* T CLUTCH FLEISCHMANN Wants You to Read Samuel Delany
* KATI STANDEFER on the Mysterious Leslie Ryan and the Structure of a
Trauma Narrative
* JULIE LAUTERBACH-COLBY on Arianne Zwartjes' "This Suturing of Wounds and
Words" and Kisha Lewellyn Schlegel's "Cannulated Screw"
* Living Within the Ellipses: CÉSAR DIAZ on Ilan Stavans' book On Borrowed
Words: A Memoir of Language
* SEAN LOVELACE on Augusto Monterroso's "Fecundity"
* SEAN PRENTISS on Charles Bowden's "Torch Song"
* EMILY DEPRANG on Joan Didion: On the Morning After My Twenties
* Email from BONNIE J. ROUGH
* STEVEN BARTHELME: Talent and Fifty Cents
* ALISON HAWTHORN DEMING on Julian Barnes
* STEVEN CHURCH on Tom Junod's "The Falling Man"
* BETHANY MAILE: We Sought But Couldn't Find - Coming Up Empty in David
Shields' "Death is the Mother of Beauty"
* GENINE LENTINE on Michael Cunningham & the Nemesis
* Movie Quotes as Misery: DAVID LEGAULT on Claudia Rankine's "Don't Let Me
Be Lonely"
* CASSANDRA KIRCHER: On E.B. White, Adoption, and Writing Hybrid Reviews
* JONI TEVIS on the Long Lyric Essay
* MICHAEL MARTONE: More or Less: the Camouflage Schemes of the Fictive
Essay
* JOHN D'AGATA: The Essays of Ansel Adams: An Allegory
* MEEHAN CRIST's 10 Thoughts on Elision
* CRAIG REINBOLD: John D'Agata Breaks Rules, Windows
* NED STUCKEY-FRENCH: Time for a New Essay - Eric Walrond's "On Being
Black"
* THOMAS MIRA Y LOPEZ on Donald Hall's "Out the Window"
* JILL TALBOT on The VanMeteresque
* DANIELLE DEULEN on the Virtues of Drowning: Lidia Yuknavitch's The
Chronology of Water
* COLIN RAFFERTY on Sherman Alexie's "My Encounters With the Homeless
People of the Pacific Northwest"
* JOHN T. PRICE: On Hoagland, Animal Obsession, and the Courage of Simile
* MAYA L. KAPOOR on Writing Trout
* CHELSEA BIONDOLILLO: On Long Winters, Short Essays, and a Sky that
Stretches Forever
* MEGAN KIMBLE on Wendell Berry and Why I'm Not Going to Buy A Smartphone
* BRIAN DOYLE: It is a Shaggy World, Studded with Gardens
* PETER JAY SHIPPY: Angle On
* NICOLE WALKER on Rebecca Campbell's Thick Paint
* PAUL LISICKY on The Fugue, Alison Bechdel's Are You My Mother, DFW, and
the Resistance to the One Thing
* ALISO STINE on Street Art
* BRIAN OLIU on The Squared Circle: Life, Death, and Professional Wrestling
by David Shoemaker
* PAM HOUSTON on Rick Reilly's "Need a Fourth" from Sports Illustrated,
March 31, 1997
* DAVE MONDY on Jim Bouton
* PHILLIP LOPATE on A Little-Known Gem by Max Beerbohm
* JOY CASTRO on Margery Latimer's "The New Freedom": A Manifesto of the
Modernist as a Young Woman
* AMY BENSON on Eliot Weinberger's "Wrens"
* WENDY RAWLINGS on Natalia Ginzburg's The Little Virtues
* PATRICK MADDEN on Charles Lamb's "New Year's Eve"
* ELENA PASSARELLO on the Book of Days
* PATRICIA VIGDERMAN on Alexander Stille
* RYAN VAN METER on Endings
Introduction
* A Fat Man Story: ANDER MONSON on HL Mencken's "A Forgotten Anniversary"
* MARCIA ALDRICH on Bernard Cooper Invisible Engineering: The Fine Art of
Revising: "The Fine Art of Sighing"
* MARYA HORNBACHER on What an Essay is Not
* KRISTEN RADTKE on Chris Marker's "Sans Soleil"
* Majestic Ruins: ROBIN HEMLEY on The Work of James Agee
* MARGOT SINGER on Relics, Alchemy, and Primo Levi's "Chromium"
* ROBERT ATWAN: The Assault on Prose: John Crowe Ransom, New Criticism, and
the Status of the Essay
* LUCAS MANN: On Writing Young
* MATT DUBE on Joan Didion, Repo Man, and a '76 Malibu
* MARK EHLING: "Two Clowns on Tarkovsky"
* T CLUTCH FLEISCHMANN Wants You to Read Samuel Delany
* KATI STANDEFER on the Mysterious Leslie Ryan and the Structure of a
Trauma Narrative
* JULIE LAUTERBACH-COLBY on Arianne Zwartjes' "This Suturing of Wounds and
Words" and Kisha Lewellyn Schlegel's "Cannulated Screw"
* Living Within the Ellipses: CÉSAR DIAZ on Ilan Stavans' book On Borrowed
Words: A Memoir of Language
* SEAN LOVELACE on Augusto Monterroso's "Fecundity"
* SEAN PRENTISS on Charles Bowden's "Torch Song"
* EMILY DEPRANG on Joan Didion: On the Morning After My Twenties
* Email from BONNIE J. ROUGH
* STEVEN BARTHELME: Talent and Fifty Cents
* ALISON HAWTHORN DEMING on Julian Barnes
* STEVEN CHURCH on Tom Junod's "The Falling Man"
* BETHANY MAILE: We Sought But Couldn't Find - Coming Up Empty in David
Shields' "Death is the Mother of Beauty"
* GENINE LENTINE on Michael Cunningham & the Nemesis
* Movie Quotes as Misery: DAVID LEGAULT on Claudia Rankine's "Don't Let Me
Be Lonely"
* CASSANDRA KIRCHER: On E.B. White, Adoption, and Writing Hybrid Reviews
* JONI TEVIS on the Long Lyric Essay
* MICHAEL MARTONE: More or Less: the Camouflage Schemes of the Fictive
Essay
* JOHN D'AGATA: The Essays of Ansel Adams: An Allegory
* MEEHAN CRIST's 10 Thoughts on Elision
* CRAIG REINBOLD: John D'Agata Breaks Rules, Windows
* NED STUCKEY-FRENCH: Time for a New Essay - Eric Walrond's "On Being
Black"
* THOMAS MIRA Y LOPEZ on Donald Hall's "Out the Window"
* JILL TALBOT on The VanMeteresque
* DANIELLE DEULEN on the Virtues of Drowning: Lidia Yuknavitch's The
Chronology of Water
* COLIN RAFFERTY on Sherman Alexie's "My Encounters With the Homeless
People of the Pacific Northwest"
* JOHN T. PRICE: On Hoagland, Animal Obsession, and the Courage of Simile
* MAYA L. KAPOOR on Writing Trout
* CHELSEA BIONDOLILLO: On Long Winters, Short Essays, and a Sky that
Stretches Forever
* MEGAN KIMBLE on Wendell Berry and Why I'm Not Going to Buy A Smartphone
* BRIAN DOYLE: It is a Shaggy World, Studded with Gardens
* PETER JAY SHIPPY: Angle On
* NICOLE WALKER on Rebecca Campbell's Thick Paint
* PAUL LISICKY on The Fugue, Alison Bechdel's Are You My Mother, DFW, and
the Resistance to the One Thing
* ALISO STINE on Street Art
* BRIAN OLIU on The Squared Circle: Life, Death, and Professional Wrestling
by David Shoemaker
* PAM HOUSTON on Rick Reilly's "Need a Fourth" from Sports Illustrated,
March 31, 1997
* DAVE MONDY on Jim Bouton
* PHILLIP LOPATE on A Little-Known Gem by Max Beerbohm
* JOY CASTRO on Margery Latimer's "The New Freedom": A Manifesto of the
Modernist as a Young Woman
* AMY BENSON on Eliot Weinberger's "Wrens"
* WENDY RAWLINGS on Natalia Ginzburg's The Little Virtues
* PATRICK MADDEN on Charles Lamb's "New Year's Eve"
* ELENA PASSARELLO on the Book of Days
* PATRICIA VIGDERMAN on Alexander Stille
* RYAN VAN METER on Endings
* A Fat Man Story: ANDER MONSON on HL Mencken's "A Forgotten Anniversary"
* MARCIA ALDRICH on Bernard Cooper Invisible Engineering: The Fine Art of
Revising: "The Fine Art of Sighing"
* MARYA HORNBACHER on What an Essay is Not
* KRISTEN RADTKE on Chris Marker's "Sans Soleil"
* Majestic Ruins: ROBIN HEMLEY on The Work of James Agee
* MARGOT SINGER on Relics, Alchemy, and Primo Levi's "Chromium"
* ROBERT ATWAN: The Assault on Prose: John Crowe Ransom, New Criticism, and
the Status of the Essay
* LUCAS MANN: On Writing Young
* MATT DUBE on Joan Didion, Repo Man, and a '76 Malibu
* MARK EHLING: "Two Clowns on Tarkovsky"
* T CLUTCH FLEISCHMANN Wants You to Read Samuel Delany
* KATI STANDEFER on the Mysterious Leslie Ryan and the Structure of a
Trauma Narrative
* JULIE LAUTERBACH-COLBY on Arianne Zwartjes' "This Suturing of Wounds and
Words" and Kisha Lewellyn Schlegel's "Cannulated Screw"
* Living Within the Ellipses: CÉSAR DIAZ on Ilan Stavans' book On Borrowed
Words: A Memoir of Language
* SEAN LOVELACE on Augusto Monterroso's "Fecundity"
* SEAN PRENTISS on Charles Bowden's "Torch Song"
* EMILY DEPRANG on Joan Didion: On the Morning After My Twenties
* Email from BONNIE J. ROUGH
* STEVEN BARTHELME: Talent and Fifty Cents
* ALISON HAWTHORN DEMING on Julian Barnes
* STEVEN CHURCH on Tom Junod's "The Falling Man"
* BETHANY MAILE: We Sought But Couldn't Find - Coming Up Empty in David
Shields' "Death is the Mother of Beauty"
* GENINE LENTINE on Michael Cunningham & the Nemesis
* Movie Quotes as Misery: DAVID LEGAULT on Claudia Rankine's "Don't Let Me
Be Lonely"
* CASSANDRA KIRCHER: On E.B. White, Adoption, and Writing Hybrid Reviews
* JONI TEVIS on the Long Lyric Essay
* MICHAEL MARTONE: More or Less: the Camouflage Schemes of the Fictive
Essay
* JOHN D'AGATA: The Essays of Ansel Adams: An Allegory
* MEEHAN CRIST's 10 Thoughts on Elision
* CRAIG REINBOLD: John D'Agata Breaks Rules, Windows
* NED STUCKEY-FRENCH: Time for a New Essay - Eric Walrond's "On Being
Black"
* THOMAS MIRA Y LOPEZ on Donald Hall's "Out the Window"
* JILL TALBOT on The VanMeteresque
* DANIELLE DEULEN on the Virtues of Drowning: Lidia Yuknavitch's The
Chronology of Water
* COLIN RAFFERTY on Sherman Alexie's "My Encounters With the Homeless
People of the Pacific Northwest"
* JOHN T. PRICE: On Hoagland, Animal Obsession, and the Courage of Simile
* MAYA L. KAPOOR on Writing Trout
* CHELSEA BIONDOLILLO: On Long Winters, Short Essays, and a Sky that
Stretches Forever
* MEGAN KIMBLE on Wendell Berry and Why I'm Not Going to Buy A Smartphone
* BRIAN DOYLE: It is a Shaggy World, Studded with Gardens
* PETER JAY SHIPPY: Angle On
* NICOLE WALKER on Rebecca Campbell's Thick Paint
* PAUL LISICKY on The Fugue, Alison Bechdel's Are You My Mother, DFW, and
the Resistance to the One Thing
* ALISO STINE on Street Art
* BRIAN OLIU on The Squared Circle: Life, Death, and Professional Wrestling
by David Shoemaker
* PAM HOUSTON on Rick Reilly's "Need a Fourth" from Sports Illustrated,
March 31, 1997
* DAVE MONDY on Jim Bouton
* PHILLIP LOPATE on A Little-Known Gem by Max Beerbohm
* JOY CASTRO on Margery Latimer's "The New Freedom": A Manifesto of the
Modernist as a Young Woman
* AMY BENSON on Eliot Weinberger's "Wrens"
* WENDY RAWLINGS on Natalia Ginzburg's The Little Virtues
* PATRICK MADDEN on Charles Lamb's "New Year's Eve"
* ELENA PASSARELLO on the Book of Days
* PATRICIA VIGDERMAN on Alexander Stille
* RYAN VAN METER on Endings