David Ian Rabey is Professor of Drama and Theatre Studies at Aberystwyth University Sarah Goldingay is Lecturer in Drama at the University of Exeter
Inhaltsangabe
1. Introduction: The ultimate matter of style David Ian Rabey 2. Performance within performance: Howard Barker and the acted life some thoughts Melanie Jessop 3. Unearthly powers of invention: speech, report and repetition in recent Wrestling School productions James Reynolds 4. Reinventing 'grand narratives': Barker's challenge to postmodernism Elisabeth Angel Perez 5. Institutions, icons and the body in Barker's plays, 1977 86 Ian Cooper 6. Access to the body: the theatre of revelation in Beckett, Foreman, and Barker George Hunka 7. 'Not nude but naked': nakedness and nudity in Barker's drama Eléonore Obis 8. Places of punishment: surveillance, reason and desire in the plays of Howard Barker Michael Mangan 9. Barker, criticism and the philosophy of 'The art of theatre' Mark Brown 10. Staging Barker in France 2009 Christine Kiehl 11. 21 for 21: A breakthrough moment in terms of the global theatre making community's collaborative capacity? Sarah Goldingay 12. I saw myself: artist and critic meet in the mirror Mary Karen Dahl 13. 'His niece or his sister': genealogical uncertainties and literary filiation in Barker's Gertrude The Cry Vanasay Khamphommala 14. History in the age of fracture: catastrophic time in Barker's The Bite of the Night Jay Gipson King 15. The dying of today and the meta stases of language: from history to tale to play to mise en scène Elizabeth Sakellaridou 16. 'The substrata of experience': Barker's poetry, 1988 2008 David Ian Rabey 17. Reading Howard Barker's pictorial art Charles Lamb 18. Howard Barker's paintings, poems and plays: 'in the deed itself', or the triple excavation of the unchangeable Michel Morel 19. Memories of paintings in Howard Barker's theatre Heiner Zimmermann 20. The sunless garden of the unconsoled: some destinations beyond catastrophe Howard Barker 21. Howard Barker and David Ian Rabey in conversation, New York 2010 Appendix: Howard Barker: chronology and bibliography Index
1. Introduction: The ultimate matter of style David Ian Rabey 2. Performance within performance: Howard Barker and the acted life some thoughts Melanie Jessop 3. Unearthly powers of invention: speech, report and repetition in recent Wrestling School productions James Reynolds 4. Reinventing 'grand narratives': Barker's challenge to postmodernism Elisabeth Angel Perez 5. Institutions, icons and the body in Barker's plays, 1977 86 Ian Cooper 6. Access to the body: the theatre of revelation in Beckett, Foreman, and Barker George Hunka 7. 'Not nude but naked': nakedness and nudity in Barker's drama Eléonore Obis 8. Places of punishment: surveillance, reason and desire in the plays of Howard Barker Michael Mangan 9. Barker, criticism and the philosophy of 'The art of theatre' Mark Brown 10. Staging Barker in France 2009 Christine Kiehl 11. 21 for 21: A breakthrough moment in terms of the global theatre making community's collaborative capacity? Sarah Goldingay 12. I saw myself: artist and critic meet in the mirror Mary Karen Dahl 13. 'His niece or his sister': genealogical uncertainties and literary filiation in Barker's Gertrude The Cry Vanasay Khamphommala 14. History in the age of fracture: catastrophic time in Barker's The Bite of the Night Jay Gipson King 15. The dying of today and the meta stases of language: from history to tale to play to mise en scène Elizabeth Sakellaridou 16. 'The substrata of experience': Barker's poetry, 1988 2008 David Ian Rabey 17. Reading Howard Barker's pictorial art Charles Lamb 18. Howard Barker's paintings, poems and plays: 'in the deed itself', or the triple excavation of the unchangeable Michel Morel 19. Memories of paintings in Howard Barker's theatre Heiner Zimmermann 20. The sunless garden of the unconsoled: some destinations beyond catastrophe Howard Barker 21. Howard Barker and David Ian Rabey in conversation, New York 2010 Appendix: Howard Barker: chronology and bibliography Index
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