Hugo Munsterberg's The Photoplay (1916) is one of the first and most important early works of film theory. Munsterberg's work on the emerging art of cinema remains a key document for film scholars, but it has long been out of print. In this new edition, Allan Langdale provides a critical introduction to the seminal text and collects numerous hard-to-find writings on film by Munsterberg.
Hugo Munsterberg's The Photoplay (1916) is one of the first and most important early works of film theory. Munsterberg's work on the emerging art of cinema remains a key document for film scholars, but it has long been out of print. In this new edition, Allan Langdale provides a critical introduction to the seminal text and collects numerous hard-to-find writings on film by Munsterberg.
Hugo Münsterberg was a psychologist and author of one of the first works of film theory, The Photoplay. AllanLangdale teaches in the Film Studies and Art History departments at the University of California at Santa Barbara.
Inhaltsangabe
Editor's Introduction S(t)imulation of Mind: The Film Theory of Hugo Mnsterberg, Allan Langdale The Photoplay: A Psychological Study Introduction 1. The Outer Development of the Moving Pictures 2. The Inner Development of the Moving Pictures Part I: The Psychology of the Photoplay 3. Depth and Movement 4. Attention 5. Memory and Imagination 6. Emotions Part II: The Aesthetics of the Photoplay 7. The Purpose of Art 8. The Means of the Various Arts 9. The Means of the Photoplay 10. The Demands of the Photoplay 11. The Function of the Photoplay Additional Writings and Texts Margaret Münsterberg onThe Photoplay Why We Go to the Movies, Hugo Münsterberg Peril to Childhood in the Movies, Hugo Münsterberg Interview with Hugo Münsterberg Speech on the Paramount Pictographs Index
Editor's Introduction S(t)imulation of Mind: The Film Theory of Hugo Mnsterberg, Allan Langdale The Photoplay: A Psychological Study Introduction 1. The Outer Development of the Moving Pictures 2. The Inner Development of the Moving Pictures Part I: The Psychology of the Photoplay 3. Depth and Movement 4. Attention 5. Memory and Imagination 6. Emotions Part II: The Aesthetics of the Photoplay 7. The Purpose of Art 8. The Means of the Various Arts 9. The Means of the Photoplay 10. The Demands of the Photoplay 11. The Function of the Photoplay Additional Writings and Texts Margaret Münsterberg onThe Photoplay Why We Go to the Movies, Hugo Münsterberg Peril to Childhood in the Movies, Hugo Münsterberg Interview with Hugo Münsterberg Speech on the Paramount Pictographs Index
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