Alexander Rehding

Hugo Riemann and the Birth of Modern Musical Thought

Herausgeber: Kallberg, Jeffrey; Solie, Ruth

• Gebundenes Buch

Produktbeschreibung

Demonstrates how Riemann's theories advanced an understanding of the tonal tradition as both natural and German.

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Produktdetails

• Verlag: Cambridge University Press
• Seitenzahl: 230
• Erscheinungstermin: 4. Januar 2011
• Englisch
• Abmessung: 235mm x 157mm x 18mm
• Gewicht: 530g
• ISBN-13: 9780521820738
• ISBN-10: 0521820731
• Artikelnr.: 33116075

Autorenporträt

Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001.

Inhaltsangabe

1. Riemann's moonshine experiment
2. The responsibilities of nineteenth-century music theory
3. Riemann's musical logic and the 'as if'
4. Musical syntax, nationhood and universality
5. Beethoven's deafness and tone imaginations
Epilogue
Glossary: Riemann's key terms as explained in the Musik-Lexikon (5th edn, 1900).