This volume explores how Colombian novelists, artists, performers, activists, musicians, and others seek to enact-to perform, to stage, to represent-human rights situations that are otherwise enacted discursively.
This volume explores how Colombian novelists, artists, performers, activists, musicians, and others seek to enact-to perform, to stage, to represent-human rights situations that are otherwise enacted discursively.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Carlos Gardeazábal Bravo, PhD, has taught Latin American culture and Spanish at Colby College and Rhodes College, where he is currently Visiting Assistant Professor. His research interests lie at the intersections of contemporary Latin American literature, human rights narratives, and the cultural politics of emotion, ecocriticism, and critical theory. He is the co-creator and co-editor of Colombia Syllabus / Primera línea académica, a crowdsourced digital repository on the 2021 protests in Colombia. Kevin G. Guerrieri is Professor of Spanish at the University of San Diego and holds a PhD from the University of California, Riverside. His research explores Latin American and Colombian literature, human rights, social justice education, and scholarship of engagement. He is author of the book Palabra, poder y nación: la novela moderna en Colombia de 1896 a 1927, and was president of the Asociación de Colombianistas (2013-2017).
Inhaltsangabe
Introduction: Human rights subjects, microhistories, and assemblages in Colombian cultural production Carlos Gardeazábal Bravo and Kevin G. Guerrieri Part I: Human rights narratives, micronarratives, and subjectivation 1 Savage states: Literature and human rights in nineteenth-century Colombia Luis Fernando Restrepo 2 The deaths inscribed in us: art, memory, and public space in Doris Salcedo Miguel Rojas-Sotelo 3 Towards emancipatory human rights narratives: Reflections on dissent, the state of siege, and embodiment in Daniel Ferreira's Rebelión de los oficios inútiles Carlos Gardeázabal Bravo 4 Toe, cabinet, and float: Literary subjectivations of victimhood facing the human rights discourse Carlos Mario Mejía Suárez Part II: land, environment, commodity: The human and the non-human 5 The voids of memory: The reemergence of the Rubber Boom genocide in Embrace of the Serpent, by Ciro Guerra Daniel Coral Reyes 6 Culture and resistance in Montes de María, Colombia: Ceferina Banquez's songs and memories of war Ligia S. Aldana 7 Colombian graphic narratives of the Post-Acuerdo: Dialogic views of water and land as human rights Felipe Gómez Gutiérrez 8 Medicinal plants: Healing the relationships between human and non-humans in post-accord times Vanesa Giraldo Gartner and César Ernesto Abadía Barrero Part III: Structural, political, and gender-based violence and resistance 9 Wounds and monsters: representations of gender-based violence and feminicide in the aftermath of the Colombian armed conflict Constanza López Baquero 10 Rocking the Colombian casbah: Exposing lives of Colombian violence through music Eunice Rojas and Carlos A. García Pinilla 11 Public secrets, private violence: A reading of Laura Restrepo's Delirio Carolina Sánchez Part IV: Transitional justice, grassroots activism, and problematizing victimhood 12 Beyond the liberal-institutional paradigm: Grassroots human rights and transitional justice Narratives in Antígonas, tribunal de mujeres Cherilyn Elston 13 Visualizing human rights: The sanctuary of victims in the House of Memory of Tumaco Nicolás Rodríguez-Idárraga 14 Peace as a trap: Dangerousness, due process, and reintegration in Mi capitán Fabián Sicachá by Flor Romero de Nohra Juan Camilo Galeano Sánchez
Introduction: Human rights subjects, microhistories, and assemblages in Colombian cultural production Carlos Gardeazábal Bravo and Kevin G. Guerrieri Part I: Human rights narratives, micronarratives, and subjectivation 1 Savage states: Literature and human rights in nineteenth-century Colombia Luis Fernando Restrepo 2 The deaths inscribed in us: art, memory, and public space in Doris Salcedo Miguel Rojas-Sotelo 3 Towards emancipatory human rights narratives: Reflections on dissent, the state of siege, and embodiment in Daniel Ferreira's Rebelión de los oficios inútiles Carlos Gardeázabal Bravo 4 Toe, cabinet, and float: Literary subjectivations of victimhood facing the human rights discourse Carlos Mario Mejía Suárez Part II: land, environment, commodity: The human and the non-human 5 The voids of memory: The reemergence of the Rubber Boom genocide in Embrace of the Serpent, by Ciro Guerra Daniel Coral Reyes 6 Culture and resistance in Montes de María, Colombia: Ceferina Banquez's songs and memories of war Ligia S. Aldana 7 Colombian graphic narratives of the Post-Acuerdo: Dialogic views of water and land as human rights Felipe Gómez Gutiérrez 8 Medicinal plants: Healing the relationships between human and non-humans in post-accord times Vanesa Giraldo Gartner and César Ernesto Abadía Barrero Part III: Structural, political, and gender-based violence and resistance 9 Wounds and monsters: representations of gender-based violence and feminicide in the aftermath of the Colombian armed conflict Constanza López Baquero 10 Rocking the Colombian casbah: Exposing lives of Colombian violence through music Eunice Rojas and Carlos A. García Pinilla 11 Public secrets, private violence: A reading of Laura Restrepo's Delirio Carolina Sánchez Part IV: Transitional justice, grassroots activism, and problematizing victimhood 12 Beyond the liberal-institutional paradigm: Grassroots human rights and transitional justice Narratives in Antígonas, tribunal de mujeres Cherilyn Elston 13 Visualizing human rights: The sanctuary of victims in the House of Memory of Tumaco Nicolás Rodríguez-Idárraga 14 Peace as a trap: Dangerousness, due process, and reintegration in Mi capitán Fabián Sicachá by Flor Romero de Nohra Juan Camilo Galeano Sánchez
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