S. Vásquez

Humor in the Caribbean Literary Canon

• Broschiertes Buch

Produktbeschreibung

Humor in the Caribbean Literary Canon intimately examines Caribbean writers who engage canonical Western texts and forms, while using humor to challenge Western representations of people of African descent.

Produktdetails

• New Caribbean Studies
• Verlag: Palgrave Macmillan / Palgrave Macmillan US / Springer Palgrave Macmillan
• Artikelnr. des Verlages: 978-1-349-43632-3
• 1st ed. 2012
• Seitenzahl: 224
• Erscheinungstermin: 6. August 2012
• Englisch
• Abmessung: 216mm x 140mm x 13mm
• Gewicht: 287g
• ISBN-13: 9781349436323
• ISBN-10: 1349436321
• Artikelnr.: 45081669

Autorenporträt

Sam Vásquez is an assistant professor of English at Dartmouth College.

Inhaltsangabe

Introduction: Take Bad Something Make Laugh: The Emergence of Humor in the Caribbean Literary Tradition Stiff Words Frighten Poor Folk: Humor, Orality, and Gender in Zora Neale Hurston's Moses, Man of the Mountain Slackness and a Mento Aesthetic: Louise Bennett's Trickster Poetics and Jamaican Women's Explorations of Sexuality The Laughing Corpse: Humorous Performances of Spirituality, Sexuality, and Identity in Aimé Césaire's A Tempest Man Friday Speaks: Calypso Humor and the Reworking of Hierarchy in Derek Walcott's Pantomime Conclusion: Contemporary Literary Crossing and Humor in the Caribbean

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Introduction: Take Bad Something Make Laugh: The Emergence of Humor in the Caribbean Literary Tradition Stiff Words Frighten Poor Folk: Humor, Orality, and Gender in Zora Neale Hurston's Moses, Man of the Mountain Slackness and a Mento Aesthetic: Louise Bennett's Trickster Poetics and Jamaican Women's Explorations of Sexuality The Laughing Corpse: Humorous Performances of Spirituality, Sexuality, and Identity in Aimé Césaire's A Tempest Man Friday Speaks: Calypso Humor and the Reworking of Hierarchy in Derek Walcott's Pantomime Conclusion: Contemporary Literary Crossing and Humor in the Caribbean

Rezensionen

"Recommended." - Choice

"Humor remains classed, gendered, and very serious business in Caribbean literary spheres, perhaps because of the acute self-consciousness of the region's middle class about being perceived as respectable and/or modern. Vasquez' study crosses canonical and generic borders in unexpected ways - a novel by Hurston, the poetry of Bennett and McKay, the plays of Walcott and Césaire, in the same conversation. This offers us unexpected and refreshing juxtapositions, and prompts new questions and perspectives." - Faith Smith, Brandeis University

"An extraordinarily insightful book on the delightful topic of Caribbean literary humor. Vasquez makes us think hard about the transformative power of laughter." - Lawrence La Fountain-Stokes, University of Michigan, author of Queer Ricans: Cultures and Sexualities in the Diaspora