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This book examines the way in which the work of British artist Hurvin Anderson has developed since the late 1990s to incorporate installation, prints and photographs within the idiom of painting.

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Produktbeschreibung
This book examines the way in which the work of British artist Hurvin Anderson has developed since the late 1990s to incorporate installation, prints and photographs within the idiom of painting.
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Autorenporträt
Michael J. Prokopow is an historian and curator. He has published widely on contemporary expressive culture, critical theory, modernism, and aesthetics. He divides his time between London and Toronto where he is a faculty member at OCAD University. He holds a Ph.D. from Harvard University.