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This text is a reflection on current musical creation, taking into account archetypal aesthetic dichotomies such as those that separate the local from the universal, the academic from the popular, and the serious from the comic. In this context, musical dramaturgy, with its past laden with aesthetic and social commonplaces, presents itself as a genre whose hybrid essence allows it to adapt in a particularly pertinent way to a musical creation that seeks to question the given and reflect on what it means to compose today.