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Today's research landscape requires an updated set of analytical skills to tell the story of how people interact with and make meaning from contemporary culture. Hybrid Ethnography: Online, Offline, and In Between provides researchers with concrete and theory-based processes to combine online and offline research methods to tell the story of how and why people are interacting with expressive culture. This book provides a roadmap for combining online and in-person ethnographic research in an explicit manner to support the reality of much contemporary fieldwork. In the tradition of the…mehr

Produktbeschreibung
Today's research landscape requires an updated set of analytical skills to tell the story of how people interact with and make meaning from contemporary culture. Hybrid Ethnography: Online, Offline, and In Between provides researchers with concrete and theory-based processes to combine online and offline research methods to tell the story of how and why people are interacting with expressive culture. This book provides a roadmap for combining online and in-person ethnographic research in an explicit manner to support the reality of much contemporary fieldwork. In the tradition of the Qualitative Research Methods series, this concise book serves graduate students and faculty learning ethnography and field methods, as well as those designing, conducting, and writing up their own dissertations and research studies. From choosing the pursue a hybrid ethnographic strategy to collecting data to analyzing and sharing results, author Liz Przybylski covers all aspects of conducting a hybrid ethnography study.

Hybrid Ethnography was awarded Honorable Mention for the 2021 Bruno Nettle Prize given by the Society for Ethnomusicology!

Autorenporträt
Dr. Liz Przybylski is an interdisciplinary popular music scholar who specializes in hip hop in the United States and Canada. She is the author of Hybrid Ethnography (SAGE, 2020). Recent publications focus on her on- and off-line hybrid research in Indigenous hip hop as well as popular music pedagogy, such as the article "Indigenizing the Mainstream: Music Festivals and Indigenous Popular Music" in the special issue on Popular Music, Decolonization and Indigenous Studies in IASPM Journal (2021). Her writing has appeared in music journalism websites including I Care if you Listen and Artbound. Liz has presented her research nationally and internationally, including at the Society for Ethnomusicology, Native American and Indigenous Studies Association, Feminist Theory and Music, and International Council for Traditional Music World Conferences. An Associate Professor of Ethnomusicology at the University of California, Riverside, she teaches courses on ethnographic methods, popular music, Indigenous music, and gender and sexuality studies. Liz served as the President of the Society for Ethnomusicology, Southern California and Hawaii Chapter and on the Society for Ethnomusicology Council. On the radio, Liz hosted "Continental Drift" on WNUR and conducted interviews for programs including "At The Edge of Canada: Indigenous Research" on CJUM. https://drlp.hcommons.org