The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.
The author examines the role of comedy in the novels of four key postmodern Spanish-American writers: Gustavo Sainz, Alfredo Bryce Echenique, Jaime Bayly and Fernando Vallejo.
Contextualising the Debate: The European Comic Tradition and the Question of Context Gustavo Sainz's La princesa del Palacio de Hierro: Comedy and the Female Character in Transnational Mexico Comic Identity and Cultural Exile in Bryce Echenique's La vida exagerada de Martín Romaña Black Comedy and Identity Loss in Fernando Vallejo's La virgen de los sicarios: On the Road to Dystopia Jaime Bayly's La noche es virgen: Comic Queer Identities in the Era of Transnationalism Conclusion: Utopia, Comedy, and Latin American Utopianism: Is This Really the End? Bibliography
Contextualising the Debate: The European Comic Tradition and the Question of Context Gustavo Sainz's La princesa del Palacio de Hierro: Comedy and the Female Character in Transnational Mexico Comic Identity and Cultural Exile in Bryce Echenique's La vida exagerada de Martín Romaña Black Comedy and Identity Loss in Fernando Vallejo's La virgen de los sicarios: On the Road to Dystopia Jaime Bayly's La noche es virgen: Comic Queer Identities in the Era of Transnationalism Conclusion: Utopia, Comedy, and Latin American Utopianism: Is This Really the End? Bibliography
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