Erin Johnson-Williams is Lecturer in Music Education and Social Justice in the Department of Music at the University of Southampton, UK. Philip Burnett is a Leverhulme Early Career Fellow in Music at the University of York, UK.
Inhaltsangabe
1 Introduction: Constructing Hymns and Race Erin Johnson-Williams and Philip Burnett Part I: Mobility 2 Tonic Sol-fa Abroad: Missionaries, Hymn Singing and Indigenous Communities Robin Stevens 3 Chinese Hymns and Worship Practices as Global Mobility Huijuan Hua and Shujin Zhang 4 The Faith and Politics of Emily Kathleen Hooper (1878-1974): Complicating the Analysis of Christian Worship Music and Western Styles of Music in China Ellan A. Lincoln-Hyde Part II Agency 5 And Wash the Æthiop White: Whiteness as Salvation and the Reception History of Wesley's Conversion Hymn Daniel Johnson 6 Anglican Ritualism and Xhosa Hymnody: The Training and Contribution of Reverend Daniel Malgas Andrew-John Bethke 7 We Become What We Sing: Hymnody as Control June Boyce-Tillman 8 Co-Writing our Hymn for Liberation Liz Gre Part III Coloniality 9 Performing Race and Place Through Hymn-Singing: A Brazilian Perspective Marcel Silva Steuernagel 10 Translations and Retranslations: Cherokee Hymnody and the Literary Endeavors of Elias Boudinot T. Wyatt Reynolds and Abraham Wallace 11 Sounding Coloniality and Voicing Resistance Becca Whitla Part IV Decoloniality 12 Decolonising a Hymn through its Mobility: A Case of Re-Location and Altered Musical Aesthetics Kgomotso Moshugi 13 Hybridizing Heritage: Hymns as Decolonial Practice amongst the Javanese Surinameses Jun Kai Pow 14 Challenging the Hymn Canon of 'Christian Otherness': The Nigerian Christian Songs Project as Means of Musical Decolonization Monique M. Ingalls, Ayobami A. Ayanyinka, and Mouma Emmanuella Chesirri Foreword: Singing Down the Dividing Walls C. Michael Hawn
1 Introduction: Constructing Hymns and Race Erin Johnson-Williams and Philip Burnett Part I: Mobility 2 Tonic Sol-fa Abroad: Missionaries, Hymn Singing and Indigenous Communities Robin Stevens 3 Chinese Hymns and Worship Practices as Global Mobility Huijuan Hua and Shujin Zhang 4 The Faith and Politics of Emily Kathleen Hooper (1878-1974): Complicating the Analysis of Christian Worship Music and Western Styles of Music in China Ellan A. Lincoln-Hyde Part II Agency 5 And Wash the Æthiop White: Whiteness as Salvation and the Reception History of Wesley's Conversion Hymn Daniel Johnson 6 Anglican Ritualism and Xhosa Hymnody: The Training and Contribution of Reverend Daniel Malgas Andrew-John Bethke 7 We Become What We Sing: Hymnody as Control June Boyce-Tillman 8 Co-Writing our Hymn for Liberation Liz Gre Part III Coloniality 9 Performing Race and Place Through Hymn-Singing: A Brazilian Perspective Marcel Silva Steuernagel 10 Translations and Retranslations: Cherokee Hymnody and the Literary Endeavors of Elias Boudinot T. Wyatt Reynolds and Abraham Wallace 11 Sounding Coloniality and Voicing Resistance Becca Whitla Part IV Decoloniality 12 Decolonising a Hymn through its Mobility: A Case of Re-Location and Altered Musical Aesthetics Kgomotso Moshugi 13 Hybridizing Heritage: Hymns as Decolonial Practice amongst the Javanese Surinameses Jun Kai Pow 14 Challenging the Hymn Canon of 'Christian Otherness': The Nigerian Christian Songs Project as Means of Musical Decolonization Monique M. Ingalls, Ayobami A. Ayanyinka, and Mouma Emmanuella Chesirri Foreword: Singing Down the Dividing Walls C. Michael Hawn
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