Mark Axelrod

I Read It at the Movies

The Follies and Foibles of Screen Adaptation

• Broschiertes Buch

Produktbeschreibung

Its heard so often that it seems cliched: "the book was better than the movie." Thats because adapting fiction to the silver screen is hard to do well. Why do some adapted screenplays work while others wilt? What do successful adaptations have in common? And what can the screenwriter learn from unsuccessful attempts to go from page to celluloid? If youre a writer who needs answers to these questions, this is the book youre looking for. In I Read It at the Movies, Mark Axelrod, a veteran screenwriter, fiction writer, and literature professor, alerts you to the pitfalls that sink poorly written adaptations, describes which writing tools to hone for this kind of work, and tells you exactly how to use them. Axelrod leads you through a close reading of four films made from adapted screenplays Bladerunner, Death in Venice, Lolita, and The Postmanexamining in detail what choices the writer made and whether those choices succeeded. He ultimately leads you to understand why a script devoted to the letter of its source work is less desirable and less likely to be well received than one embodying the originating storys spirit. With so many adaptations in todays theatres, if youre a working or aspiring screenwriter, you need to know how to get inside a book, find its narrative essence, and extract a well-considered, artful, and entertaining screenplay. With I Read It at the Movies everyone who sees a film you write will say, "It was better than the book!"

---

Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.

Produktdetails

• Verlag: Heinemann Educational Books
• Seitenzahl: 144
• Altersempfehlung: ab 18 Jahre
• Erscheinungstermin: 1. November 2006
• Englisch
• Abmessung: 233mm x 154mm x 12mm
• Gewicht: 206g
• ISBN-13: 9780325008509
• ISBN-10: 0325008507
• Artikelnr.: 22601818

Autorenporträt

Mark Axelrod is Professor of Comparative Literature and English at Chapman University in Orange, California. He is also a practicing screenwriter whose work has been honored by the Academy of Motion Picture Arts and Sciences, the Sundance Institute, and the Writers Guild, East. He has both conducted screenwriting workshops and taught screenwriting throughout the U.S., Europe, and Latin America. He is the author of two other books with Heinemann on screenwriting, Character and Conflict (2004) and Aspects of the Screenplay (2001).