Abigail Parry's second collection was supposed to be about intimacy: what it might look like in solitude, partnership and collective responsibility. Instead the poems relate to pop music, etymology, surveillance equipment and cervical examination, church architecture and beetles. Anything except what intimacy is or looks like.
Abigail Parry's second collection was supposed to be about intimacy: what it might look like in solitude, partnership and collective responsibility. Instead the poems relate to pop music, etymology, surveillance equipment and cervical examination, church architecture and beetles. Anything except what intimacy is or looks like.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Abigail Parry spent seven years as a toymaker before completing her doctoral thesis on wordplay. Her poems have been set to music, translated into Spanish and Japanese, broadcast on BBC and RTÉ Radio, and widely published in journals and anthologies. She has won a number of prizes and awards for her work, including the Ballymaloe Prize, the Troubadour Prize, and an Eric Gregory Award. Her first collection, Jinx, published by Bloodaxe Books in 2018, was shortlisted for the Forward Prize for Best First Collection 2018 and the Seamus Heaney Centre First Collection Poetry Prize 2019. Her second collection, I Think We're Alone Now, (Bloodaxe Books, 2023) was shortlisted for the 2023 T.S. Eliot Prize. She is currently a lecturer in creative writing at Cardiff University.
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