This ethnographic play and supporting commentary contribute to the development of disability anthropology, and to a conversation about the use of performance methodologies in anthropology and ethnographic research.
This ethnographic play and supporting commentary contribute to the development of disability anthropology, and to a conversation about the use of performance methodologies in anthropology and ethnographic research.
Cassandra Hartblay is an assistant professor of Anthropology and Health Humanities at the University of Toronto, Scarborough.
Inhaltsangabe
About This Book Foreword Play Script Cast of Characters Setting Time Portrait I: Vera Portrait II: Vakas Portrait III: Alina Portrait IV: Sergei Portrait V: Rudak Portrait VI: Anya Photos Ethnographer’s Essay: Rituals of Vulnerability Introduction Background a. Words for Disability b. Disability in Russia c. Defining Performance Ethnography d. Performance Ethnography and/in Anthropology Staging Disability: Interdependency and Crip Time Making I Was Never Alone or Oporniki: Origins and Writing Process Representing Russia on the North American Stage Making I Was Never Alone or Oporniki: Casting and Rehearsing Access: Disability Theatre in Practice Conclusion Afterword Appendix 1: Performance Ethnography Exercises Appendix 2: Disability Terminology Appendix 3: Russian and Soviet Historical References Appendix 4: Suggestions for Reading this Work in the Classroom Appendix 5: Prop List and Dramaturgical Note Appendix 6: An Ethic of Accommodation Appendix 7: Glossary and Pronunciation of Russian Words
About This Book Foreword Play Script Cast of Characters Setting Time Portrait I: Vera Portrait II: Vakas Portrait III: Alina Portrait IV: Sergei Portrait V: Rudak Portrait VI: Anya Photos Ethnographer’s Essay: Rituals of Vulnerability Introduction Background a. Words for Disability b. Disability in Russia c. Defining Performance Ethnography d. Performance Ethnography and/in Anthropology Staging Disability: Interdependency and Crip Time Making I Was Never Alone or Oporniki: Origins and Writing Process Representing Russia on the North American Stage Making I Was Never Alone or Oporniki: Casting and Rehearsing Access: Disability Theatre in Practice Conclusion Afterword Appendix 1: Performance Ethnography Exercises Appendix 2: Disability Terminology Appendix 3: Russian and Soviet Historical References Appendix 4: Suggestions for Reading this Work in the Classroom Appendix 5: Prop List and Dramaturgical Note Appendix 6: An Ethic of Accommodation Appendix 7: Glossary and Pronunciation of Russian Words
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