I wish we were lovers - Fernando, Jeremy
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It is so very frustrating, makes one almost want to scream - petulantly, childishly even - that it is a deeply unfair world when the one you most want to speak to, to be with, is the very one you can't. Particularly when calling out to you is not so much the thing I cannot do (of course one always can) but the very thing one shouldn't. For, one should try not to forget that - even as it might pain one to do so - words are missiles that explode in your somatic being. Where sending them out might cause damage, even bring ruin; and keeping them in, be catastrophic. I suppose one might say you…mehr

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It is so very frustrating, makes one almost want to scream - petulantly, childishly even - that it is a deeply unfair world when the one you most want to speak to, to be with, is the very one you can't. Particularly when calling out to you is not so much the thing I cannot do (of course one always can) but the very thing one shouldn't. For, one should try not to forget that - even as it might pain one to do so - words are missiles that explode in your somatic being. Where sending them out might cause damage, even bring ruin; and keeping them in, be catastrophic. I suppose one might say you helped send me on a path towards the beautiful, opened in me the possibility of catching a glimpse of beauty - three stepson the ladderof writhing
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Autorenporträt
Jeremy Fernando reads, writes, and makes things.He works in the intersections of literature, philosophy, and art; and his, more than thirty, books include Reading Blindly, Living with Art, Writing Death, in fidelity, Tómate un paseo por el lado oscuro del camino, resisting art, Writing Skin, A Ghost Never Dies, and The feather of Ma'at. His writing has also been featured in magazines and journals such as Arte al Límite, Berfrois, CTheory, Cenobio, Entropy, Full Bleed, Poiesis, Philosophy World Democracy, Queen Mob's Teahouse, Qui Parle, RIC Journal, Testo e Senso, TimeOut, and Voice & Verse Poetry Magazine, amongst others; and has been translated into the Brazilian-Portuguese, French, German, Italian, Japanese, Korean, Spanish, and Serbian. Exploring other media has led him to film, music, and the visual arts; and his work has been exhibited in Seoul, Vienna, Hong Kong, Lisbon, and Singapore. He has been invited to read at the Akademie der Künste in Berlin in September 2016; and to deliver a series of performance-readings at the 2018, 2020, and 2022 editions of the Bienal de la Imagen en Movimiento in Buenos Aires, the latter at which he also curated a filmic omnibus entitled reading dreaming malaya. He is curates the thematic magazine One Imperative; is the Jean Baudrillard Fellow at The European Graduate School; co-creator of the private dining experience, People Table Tales; and the writer-in-residence at Appetite, the sensorial laboratory exploring the cross-roads of food, music, and art.