For over two centuries, elegy and iambus attracted some of the finest poetic talents in Greek history. This edited collection provides the first comprehensive exploration devoted specifically to these two genres, offering an important insight into the key issues within current research.
For over two centuries, elegy and iambus attracted some of the finest poetic talents in Greek history. This edited collection provides the first comprehensive exploration devoted specifically to these two genres, offering an important insight into the key issues within current research.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Laura Swift is Lecturer in Classical Studies at the Open University. Chris Carey is Professor of Greek at University College London.
Inhaltsangabe
* Preface * List of Contributors * Introduction * I: Poetry in Performance * 1: Ewen Bowie: Cultic Contexts for Elegiac Performance * 2: Cecilia Nobili: Choral Elegy * 3: Deborah Boedeker: Coarse Poetics: Listening to Hipponax * 4: Don Lavigne: Archilochus and Homer in the Rhapsodic Context * II: Charting Genre, Creating Traditions * 5: Andrea Rotstein: The Ancient Literary History of Iambos * 6: Chris Carey: Mapping Iambos: Mining the Minor Talents * 7: David Sider: Simonides' Personal Elegies * 8: Antonio Aloni and Alessandro Iannucci: Writing Solon * 9: Anika Nicolosi: Archilochus' Elegiac Fragments: Textual and Exegetical Notes * III: Cultural Interactions * 10: Laura Lulli: Elegy and Epic: A Complex Relationship * 11: Margarita Alexandrou: Mythological Narratives in Hipponax * 12: Tom Hawkins: Bupalus in Scheria: Hipponax's Odyssean Transcontextualizations * 13: Laura Swift: Poetics and Precedents in Archilochus' Erotic Imagery * IV: Ancient Receptions and Intertexts * 14: Christopher Brown: Warding Off a Hailstorm of Blood: Pindar on Martial Elegy * 15: Paula da Cunha Corrêa: The 'Ship of Fools' in Euenus 8b and Plato's Republic 488a-489a * 16: Julia Nelson Hawkins: Anger, Bile, and the Poet's Body in the Archilochean Tradition * Bibliography * Indexes
* Preface * List of Contributors * Introduction * I: Poetry in Performance * 1: Ewen Bowie: Cultic Contexts for Elegiac Performance * 2: Cecilia Nobili: Choral Elegy * 3: Deborah Boedeker: Coarse Poetics: Listening to Hipponax * 4: Don Lavigne: Archilochus and Homer in the Rhapsodic Context * II: Charting Genre, Creating Traditions * 5: Andrea Rotstein: The Ancient Literary History of Iambos * 6: Chris Carey: Mapping Iambos: Mining the Minor Talents * 7: David Sider: Simonides' Personal Elegies * 8: Antonio Aloni and Alessandro Iannucci: Writing Solon * 9: Anika Nicolosi: Archilochus' Elegiac Fragments: Textual and Exegetical Notes * III: Cultural Interactions * 10: Laura Lulli: Elegy and Epic: A Complex Relationship * 11: Margarita Alexandrou: Mythological Narratives in Hipponax * 12: Tom Hawkins: Bupalus in Scheria: Hipponax's Odyssean Transcontextualizations * 13: Laura Swift: Poetics and Precedents in Archilochus' Erotic Imagery * IV: Ancient Receptions and Intertexts * 14: Christopher Brown: Warding Off a Hailstorm of Blood: Pindar on Martial Elegy * 15: Paula da Cunha Corrêa: The 'Ship of Fools' in Euenus 8b and Plato's Republic 488a-489a * 16: Julia Nelson Hawkins: Anger, Bile, and the Poet's Body in the Archilochean Tradition * Bibliography * Indexes
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