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A publication documenting British artist Ian McKeeverâ s exhibitions Against Architecture at Mattâ s Gallery, London (2017) and Against Architecture, Remodelled at TheGallery, Arts University Bournemouth (2023â 24). The exhibitions explored the relationships between McKeeverâ s photo/painted panels and the physical spaces in which they were presented.

Produktbeschreibung
A publication documenting British artist Ian McKeeverâ s exhibitions Against Architecture at Mattâ s Gallery, London (2017) and Against Architecture, Remodelled at TheGallery, Arts University Bournemouth (2023â 24). The exhibitions explored the relationships between McKeeverâ s photo/painted panels and the physical spaces in which they were presented.
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Autorenporträt
Ian McKeever (b.1946, Withernsea, Yorkshire) is an artist living and working in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003. He has held several teaching positions including Guest Professor at the Städel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting. His work is represented in collections including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst, Vienna; Museum of Contemporary Art, Helsinki; Metropolitan Museum of Art, New York; and Yale Center for British Art, Connecticut. Recent public solo exhibitions include Ian McKeever / Tony Cragg - Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Paintings 1992-2018, Ferens Art Gallery, Hull, UK (2018); Hours of Darkness, Hours of Light, Kunstmuseet i Tønder, Denmark (2015); Between Darkness and Light, National Gallery of the Faroe Islands, Tórshavn, Faroe Islands (2015); Hours of Darkness, Hours of Light, Kunst-Station Sankt Peter Köln, Cologne, Germany (2014); and Hartgrove. Malerei und Fotografie, Josef Albers Museum, Bottrop, Germany (2012).