Ibsen in the Decolonised South Asian Theatre
Herausgeber: Huq, Sabiha; Mukherjee, Srideep
Ibsen in the Decolonised South Asian Theatre
Herausgeber: Huq, Sabiha; Mukherjee, Srideep
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This book maps South Asian theatre productions that have contextualised Ibsen's plays to underscore the emergent challenges of postcolonial nation formation.
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This book maps South Asian theatre productions that have contextualised Ibsen's plays to underscore the emergent challenges of postcolonial nation formation.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 244
- Erscheinungstermin: 10. November 2023
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 544g
- ISBN-13: 9781032182063
- ISBN-10: 1032182067
- Artikelnr.: 68476353
- Verlag: Routledge
- Seitenzahl: 244
- Erscheinungstermin: 10. November 2023
- Englisch
- Abmessung: 234mm x 156mm x 16mm
- Gewicht: 544g
- ISBN-13: 9781032182063
- ISBN-10: 1032182067
- Artikelnr.: 68476353
Sabiha Huq is Professor of English at Khulna University, Bangladesh. Srideep Mukherjee is Associate Professor of English at Netaji Subhas Open University, India.
Introduction
SABIHA HUQ AND SRIDEEP MUKHERJEE
1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical
Overview
ASGHAR NADEEM SYED
2 Intercultural Assimilation of Contraries in Postcolonial South Asia:
Fluctuating Movement of Ibsen's Corpus
KAMALUDDIN NILU
3 Constructing a New Identity Space for Women in Post-Colony: Sambhu
Mitra's Production of A Doll's House
AHMED AHSANUZZAMAN
4 Women's Movement in Pakistan: Tehrik-e-Niswan's A Doll's House in Urdu
ISHRAT LINDBLAD
5 Nora and the Politics of Gender in the Postcolonial Performance Space in
Sri Lanka
KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN
6 Has the Indian "Doll" Really Evolved?: A Doll's House on Decolonised
Indian Stage(s)
SRIDEEP MUKHERJEE
7 Middle-Class Liberal Values and the Bangladeshi National Imaginary:
Ibsen's Ghosts Reconfigured
MANOSH CHOWDHURY
8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition
India and Bangladesh
SABIHA HUQ
9 Kamaluddin Nilu's Three "Peers": Relocating Henrik Ibsen's Peer Gynt in
South Asian Contemporaneity
IMRAN KAMAL
10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of
the People and The Pillars of Society
TAPATI GUPTA
11 A Doll's House in Nepal: Rationalising the Appropriation of Putaliko
Ghar
MENUKA GURUNG
12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and
Appropriation
ASTRI GHOSH
Index
SABIHA HUQ AND SRIDEEP MUKHERJEE
1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical
Overview
ASGHAR NADEEM SYED
2 Intercultural Assimilation of Contraries in Postcolonial South Asia:
Fluctuating Movement of Ibsen's Corpus
KAMALUDDIN NILU
3 Constructing a New Identity Space for Women in Post-Colony: Sambhu
Mitra's Production of A Doll's House
AHMED AHSANUZZAMAN
4 Women's Movement in Pakistan: Tehrik-e-Niswan's A Doll's House in Urdu
ISHRAT LINDBLAD
5 Nora and the Politics of Gender in the Postcolonial Performance Space in
Sri Lanka
KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN
6 Has the Indian "Doll" Really Evolved?: A Doll's House on Decolonised
Indian Stage(s)
SRIDEEP MUKHERJEE
7 Middle-Class Liberal Values and the Bangladeshi National Imaginary:
Ibsen's Ghosts Reconfigured
MANOSH CHOWDHURY
8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition
India and Bangladesh
SABIHA HUQ
9 Kamaluddin Nilu's Three "Peers": Relocating Henrik Ibsen's Peer Gynt in
South Asian Contemporaneity
IMRAN KAMAL
10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of
the People and The Pillars of Society
TAPATI GUPTA
11 A Doll's House in Nepal: Rationalising the Appropriation of Putaliko
Ghar
MENUKA GURUNG
12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and
Appropriation
ASTRI GHOSH
Index
Introduction
SABIHA HUQ AND SRIDEEP MUKHERJEE
1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical
Overview
ASGHAR NADEEM SYED
2 Intercultural Assimilation of Contraries in Postcolonial South Asia:
Fluctuating Movement of Ibsen's Corpus
KAMALUDDIN NILU
3 Constructing a New Identity Space for Women in Post-Colony: Sambhu
Mitra's Production of A Doll's House
AHMED AHSANUZZAMAN
4 Women's Movement in Pakistan: Tehrik-e-Niswan's A Doll's House in Urdu
ISHRAT LINDBLAD
5 Nora and the Politics of Gender in the Postcolonial Performance Space in
Sri Lanka
KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN
6 Has the Indian "Doll" Really Evolved?: A Doll's House on Decolonised
Indian Stage(s)
SRIDEEP MUKHERJEE
7 Middle-Class Liberal Values and the Bangladeshi National Imaginary:
Ibsen's Ghosts Reconfigured
MANOSH CHOWDHURY
8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition
India and Bangladesh
SABIHA HUQ
9 Kamaluddin Nilu's Three "Peers": Relocating Henrik Ibsen's Peer Gynt in
South Asian Contemporaneity
IMRAN KAMAL
10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of
the People and The Pillars of Society
TAPATI GUPTA
11 A Doll's House in Nepal: Rationalising the Appropriation of Putaliko
Ghar
MENUKA GURUNG
12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and
Appropriation
ASTRI GHOSH
Index
SABIHA HUQ AND SRIDEEP MUKHERJEE
1 Postcolonial Theatre and Ibsen Productions in Pakistan: A Historical
Overview
ASGHAR NADEEM SYED
2 Intercultural Assimilation of Contraries in Postcolonial South Asia:
Fluctuating Movement of Ibsen's Corpus
KAMALUDDIN NILU
3 Constructing a New Identity Space for Women in Post-Colony: Sambhu
Mitra's Production of A Doll's House
AHMED AHSANUZZAMAN
4 Women's Movement in Pakistan: Tehrik-e-Niswan's A Doll's House in Urdu
ISHRAT LINDBLAD
5 Nora and the Politics of Gender in the Postcolonial Performance Space in
Sri Lanka
KANCHUKA DHARMASIRI AND KATHIRESU RATHITHARAN
6 Has the Indian "Doll" Really Evolved?: A Doll's House on Decolonised
Indian Stage(s)
SRIDEEP MUKHERJEE
7 Middle-Class Liberal Values and the Bangladeshi National Imaginary:
Ibsen's Ghosts Reconfigured
MANOSH CHOWDHURY
8 By Means of Ibsen: Theatre Amidst Rising Fanaticism in Post-Partition
India and Bangladesh
SABIHA HUQ
9 Kamaluddin Nilu's Three "Peers": Relocating Henrik Ibsen's Peer Gynt in
South Asian Contemporaneity
IMRAN KAMAL
10 Unheard Voices and Refracted Essence: Bangla Adaptations of An Enemy of
the People and The Pillars of Society
TAPATI GUPTA
11 A Doll's House in Nepal: Rationalising the Appropriation of Putaliko
Ghar
MENUKA GURUNG
12 Peer Ghani and Peechha Karti Parchhaiyan: Negotiating Adaptation and
Appropriation
ASTRI GHOSH
Index