This classic primer on Japanese art and esthetics-written by a cofounder of the Tokyo Fine Art School and one of the great 19th-century experts on Asian art and archaeology-approaches the subject from a philosphical perspective, exploring the spirit and the spirituality behind the notable eras of Asian music, painting, architecture, textiles, and other realms of artistic expression. Why did the Japanese character refuse to embrace abstract art? How did religious frenzy in the Middle Ages influence live entertainment? How does Zen impact the soul of an artist? Beautifully written and highly…mehr
This classic primer on Japanese art and esthetics-written by a cofounder of the Tokyo Fine Art School and one of the great 19th-century experts on Asian art and archaeology-approaches the subject from a philosphical perspective, exploring the spirit and the spirituality behind the notable eras of Asian music, painting, architecture, textiles, and other realms of artistic expression. Why did the Japanese character refuse to embrace abstract art? How did religious frenzy in the Middle Ages influence live entertainment? How does Zen impact the soul of an artist? Beautifully written and highly informative, this 1883 volume will enchant and enlighten lovers of Japanese art. Japanese scholar and writer KAKUZO OKAKURA (1863-1913) helped spread interest in Asian art and culture to the Western world. He is also the author of The Book of Tea (1906).
Okakura Kakuz, also known as Okakura Tenshin, was a Japanese academic and art critic who, during the Meiji Restoration reform era, defended conventional forms, practices, and beliefs. He lived from February 14, 1863, to September 2, 1913. He is most known outside of Japan for his 1906 book The Book of Tea: A Japanese Harmony of Art, Culture, and the Simple Life. It was written in English after the Russo-Japanese War, denounced Western stereotypes of Asians in general and the Japanese specifically, and voiced the worry that Japan would only acquire respect to the extent that it copied the barbaric practices of Western militarism. On the eve of the Russo-Japanese War, he released The Ideals of the East with Special Reference to the Art of Japan, a book on Asian aesthetic and cultural history. It is famous for its opening paragraph, which asserts that Asia differs from the West because of its spiritual unity. When Kakuzo persisted in visiting his mountain estate in Akakura in August 1913, his sister, wife, and daughter eventually transported him there by train. Kakuzo was able to communicate with others and feel a little better for almost a week before suffering a heart attack on August 25.
Inhaltsangabe
Introduction The Range of Ideals The Primitive Art of Japan Confucianism Northern China Laoism and Taoism Southern China Buddhism and Indian Art The Asuka Period (550 700 a.d.) The Nara Period (700 800 a.d.) The Heian Period (800 900 a.d.) The Fujiwara Period (900 1200 a.d.) The Kamakura Period (1200 1400 a.d.) Ashikaga Period (1400 1600 a.d.) Toyotomi and Early Tokugawa Period (1600 1700 a.d.) Later Tokugawa Period (1700 1850 a.d.) The Meiji Period (1850 to the present day) The Vista
Introduction The Range of Ideals The Primitive Art of Japan Confucianism Northern China Laoism and Taoism Southern China Buddhism and Indian Art The Asuka Period (550 700 a.d.) The Nara Period (700 800 a.d.) The Heian Period (800 900 a.d.) The Fujiwara Period (900 1200 a.d.) The Kamakura Period (1200 1400 a.d.) Ashikaga Period (1400 1600 a.d.) Toyotomi and Early Tokugawa Period (1600 1700 a.d.) Later Tokugawa Period (1700 1850 a.d.) The Meiji Period (1850 to the present day) The Vista
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