Ideology in Britten's Operas - Harper-Scott, J. P. E. (Royal Holloway, University of London)
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This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. As well as being a record of the ideological world of mid-twentieth-century Britain, these operas continue to diagnose problems in our own time. This book argues that it is timely - if uncomfortable - for current audiences to re-address his music.

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Produktbeschreibung
This thematic examination of Britten's operas focuses on the way that ideology is presented on stage. As well as being a record of the ideological world of mid-twentieth-century Britain, these operas continue to diagnose problems in our own time. This book argues that it is timely - if uncomfortable - for current audiences to re-address his music.
Autorenporträt
J. P. E. Harper-Scott is Professor of Music History and Theory at Royal Holloway, University of London. He has published extensively on music of the nineteenth and twentieth centuries, with a particular focus on twentieth-century British music.