The book demonstrates that Renaissance interpretive formations concerning economic behaviour were more flexible and innovative than appears at first glance, and it argues that the notion of self-interest is a coherent locus of interpretation in the early seventeenth century.
The book demonstrates that Renaissance interpretive formations concerning economic behaviour were more flexible and innovative than appears at first glance, and it argues that the notion of self-interest is a coherent locus of interpretation in the early seventeenth century.
Acknowledgments A Note on Texts 1. Introduction 2. Economies of Obligation in Eastward Ho! 3. Utopias of Paternalism: Timon of Athens and the New Atlantis 4. The Genre of Self-Interest in the Poetry of Isabella Whitney and Aemilia Lanyer 5. My Bloody Creditor: The Merchant of Venice and the Lexicon of Credit 6. Conclusion Notes. Select Bibliography. Index
Acknowledgments A Note on Texts 1. Introduction 2. Economies of Obligation in Eastward Ho! 3. Utopias of Paternalism: Timon of Athens and the New Atlantis 4. The Genre of Self-Interest in the Poetry of Isabella Whitney and Aemilia Lanyer 5. My Bloody Creditor: The Merchant of Venice and the Lexicon of Credit 6. Conclusion Notes. Select Bibliography. Index
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