Demonstrating that Renaissance interpretive formations concerning economic behaviour were flexible and innovative, this book argues that the notion of self-interest was a coherent locus of interpretation in the early seventeenth century.
Demonstrating that Renaissance interpretive formations concerning economic behaviour were flexible and innovative, this book argues that the notion of self-interest was a coherent locus of interpretation in the early seventeenth century.
Acknowledgments A Note on Texts 1. Introduction 2. Economies of Obligation in Eastward Ho! 3. Utopias of Paternalism: Timon of Athens and the New Atlantis 4. The Genre of Self-Interest in the Poetry of Isabella Whitney and Aemilia Lanyer 5. My Bloody Creditor: The Merchant of Venice and the Lexicon of Credit 6. Conclusion Notes. Select Bibliography. Index
Acknowledgments A Note on Texts 1. Introduction 2. Economies of Obligation in Eastward Ho! 3. Utopias of Paternalism: Timon of Athens and the New Atlantis 4. The Genre of Self-Interest in the Poetry of Isabella Whitney and Aemilia Lanyer 5. My Bloody Creditor: The Merchant of Venice and the Lexicon of Credit 6. Conclusion Notes. Select Bibliography. Index
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