He examines Puccini's compositional language, with insightful analyses of melody, orchestration, harmony, voice-leading, and rhythm and meter.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Andrew Davis is Associate Professor of Music Theory and Director of Graduate Studies at the University of Houston Moores School of Music.
Inhaltsangabe
Acknowledgments Note on Scores, Librettos, and Translations Introduction: Hearing Puccini 1. Stylistic Plurality, Narrative, Levels of Discourse, and Voice 2. The Romantic Style in Late Puccini 3. Expressive Uses of Convention in Il tabarro 4. Formal Multivalence in Suor Angelica 5. Humor and Filmic Effects in the Structure of Gianni Schicchi 6. Puccini's Solution: Integrating the Conventional and Unconventional Epilogue: Late Style and Puccini Notes Bibliography Index
Acknowledgments Note on Scores, Librettos, and Translations Introduction: Hearing Puccini 1. Stylistic Plurality, Narrative, Levels of Discourse, and Voice 2. The Romantic Style in Late Puccini 3. Expressive Uses of Convention in Il tabarro 4. Formal Multivalence in Suor Angelica 5. Humor and Filmic Effects in the Structure of Gianni Schicchi 6. Puccini's Solution: Integrating the Conventional and Unconventional Epilogue: Late Style and Puccini Notes Bibliography Index
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
