Differentiating informality from intimacy in its introduction, Illegitimate Freedom: Informality in Modernist Literature, 1900 - 1940 discusses the informal in relation with sensory experience, aesthetic presentation, ethical deliberation or action, and social attitudes within modernist works.
Differentiating informality from intimacy in its introduction, Illegitimate Freedom: Informality in Modernist Literature, 1900 - 1940 discusses the informal in relation with sensory experience, aesthetic presentation, ethical deliberation or action, and social attitudes within modernist works.
Gaurav Majumdar is Professor of English at Whitman College. His publications include the book Migrant Form: Anti-Colonial Aesthetics in Joyce, Rushdie, and Ray.
Inhaltsangabe
Acknowledgments 1. Introduction: Informality as Illegitimate Freedom 2. Chapter One: "Intoxicated Sense": Humour and Promiscuity in Woolf's To the Lighthouse and Orlando 3. Chapter Two: Marking Absence: Mansfield's Feminine Informality vs. Lockean Liberalism 4. Chapter Three: Eliotic Contempt 5. Chapter Four: Joyce's Challenges to Disgust 6. Chapter Five: "Inverted Hypocrisy": Auden's Informal Pedagogy 7. Conclusion: An Openness to Misreading: The Risks of Informality Works Cited Index
Acknowledgments 1. Introduction: Informality as Illegitimate Freedom 2. Chapter One: "Intoxicated Sense": Humour and Promiscuity in Woolf's To the Lighthouse and Orlando 3. Chapter Two: Marking Absence: Mansfield's Feminine Informality vs. Lockean Liberalism 4. Chapter Three: Eliotic Contempt 5. Chapter Four: Joyce's Challenges to Disgust 6. Chapter Five: "Inverted Hypocrisy": Auden's Informal Pedagogy 7. Conclusion: An Openness to Misreading: The Risks of Informality Works Cited Index
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