Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity. In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance.
Outside of the classroom and scholarly publications, lynching has long been a taboo subject. Nice people, it is felt, do not talk about it, and they certainly do not look at images representing the atrocity. In Imagery of Lynching, Dora Apel contests this adopted stance of ignorance.
Dora Apel is the W. Hawkins Ferry Chair in Modern and Contemporary Art at Wayne State University. She is the author of Memory Effects: The Holocaust and the Art of Secondary Witnessing.
Inhaltsangabe
On looking Scottsboro the Communist party and the NAACP: conflicts and desires The antilynching exhibitions of 1935: strategies and constraints Race sex and politics in prewar America: picturing Black oppression Mass media World War II and the Cold War: the lynching of George Dorsey and Emmitt Till The evolution of lynching narratives in contemporary art
On looking Scottsboro the Communist party and the NAACP: conflicts and desires The antilynching exhibitions of 1935: strategies and constraints Race sex and politics in prewar America: picturing Black oppression Mass media World War II and the Cold War: the lynching of George Dorsey and Emmitt Till The evolution of lynching narratives in contemporary art
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