In eighth- and ninth-century Byzantium there arose a heated controversy over religious art, known as the "Iconoclastic Controversy." Analyzing hundreds of pages of art-texts, laws, letters, and poems, this book examines the wider context of the debate by providing the first comprehensive study of the Western response to Byzantine iconoclasm.
In eighth- and ninth-century Byzantium there arose a heated controversy over religious art, known as the "Iconoclastic Controversy." Analyzing hundreds of pages of art-texts, laws, letters, and poems, this book examines the wider context of the debate by providing the first comprehensive study of the Western response to Byzantine iconoclasm.
Introduction Chapter One: Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm Chapter Two: Byzantine Iconoclasm in the Eighth Century Chapter Three: Art and Art Talk in the West in the First Age of Iconoclasm Chapter Four: The Franks and Nicaea: Opus Caroli Regis Chapter Five: Tradition, Order, and Worship in the Age of Charlemagne Chapter Six: The Age of Second Iconoclasm Chapter Seven: Art and Argument in the Age of Louis the Pious Conclusion Notes Bibliography Index Acknowledgments
Introduction Chapter One: Art, Icons, and Their Critics and Defenders Before the Age of Iconoclasm Chapter Two: Byzantine Iconoclasm in the Eighth Century Chapter Three: Art and Art Talk in the West in the First Age of Iconoclasm Chapter Four: The Franks and Nicaea: Opus Caroli Regis Chapter Five: Tradition, Order, and Worship in the Age of Charlemagne Chapter Six: The Age of Second Iconoclasm Chapter Seven: Art and Argument in the Age of Louis the Pious Conclusion Notes Bibliography Index Acknowledgments
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