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Barbara Kaminska argues that visual imagery was central to premodern disability discourses and shows how interpretations of miracle stories served to justify expectations toward the impaired and the poor.

Produktbeschreibung
Barbara Kaminska argues that visual imagery was central to premodern disability discourses and shows how interpretations of miracle stories served to justify expectations toward the impaired and the poor.
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Autorenporträt
Barbara Kaminska is Assistant Professor of Art History at Sam Houston State University. She has published extensively on Netherlandish painting and print culture, and is the author of Pieter Bruegel the Elder: Religious Art for the Urban Community (Brill, 2019).