This is a multidisciplinary study that reads the early modern literary and historical representations of the Muslim woman against both the European politics towards Islam and the domestic constructions of gender and social hierarchies in England.
This is a multidisciplinary study that reads the early modern literary and historical representations of the Muslim woman against both the European politics towards Islam and the domestic constructions of gender and social hierarchies in England.
Öz Öktem is assistant professor in the English Language and Literature Department of Istanbul Ayd¿n University.
Inhaltsangabe
Chapter 1: Introduction: Re-Orienting Gender and Islamic Alterity in Early Modern English Drama Chapter 2: Erasing the Cultural and Religious Difference: Marlowe's Tamburlaine and Greene's Alphonsus Chapter 3: The Muslim Woman and A Christian Turned Turk: Islamic Apostasy and the Gender Paradigm on the Jacobean Stage Chapter 4: Redeeming the Islamic Eve inside the Ottoman Palace: Massinger's The Renegado Chapter 5: "Hell's Perfect Character:" Dark Female Sexuality and the Fear of Ottoman Colonialism in The Knight of Malta Chapter 6: The Island Princess: Colonialism, Religion, (Inter)sexuality and Intertextuality
Chapter 1: Introduction: Re-Orienting Gender and Islamic Alterity in Early Modern English Drama Chapter 2: Erasing the Cultural and Religious Difference: Marlowe's Tamburlaine and Greene's Alphonsus Chapter 3: The Muslim Woman and A Christian Turned Turk: Islamic Apostasy and the Gender Paradigm on the Jacobean Stage Chapter 4: Redeeming the Islamic Eve inside the Ottoman Palace: Massinger's The Renegado Chapter 5: "Hell's Perfect Character:" Dark Female Sexuality and the Fear of Ottoman Colonialism in The Knight of Malta Chapter 6: The Island Princess: Colonialism, Religion, (Inter)sexuality and Intertextuality
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