Imagining Reperformance in Ancient Culture
Studies in the Traditions of Drama and Lyric
Herausgeber: Hunter, Richard; Uhlig, Anna
Imagining Reperformance in Ancient Culture
Studies in the Traditions of Drama and Lyric
Herausgeber: Hunter, Richard; Uhlig, Anna
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A theoretically informed, up-to-date study of the idea and practice of reperformance in ancient poetry.
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A theoretically informed, up-to-date study of the idea and practice of reperformance in ancient poetry.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 9. Juni 2017
- Englisch
- Abmessung: 255mm x 186mm x 27mm
- Gewicht: 802g
- ISBN-13: 9781107151475
- ISBN-10: 1107151473
- Artikelnr.: 48399138
- Verlag: Cambridge University Press
- Seitenzahl: 348
- Erscheinungstermin: 9. Juni 2017
- Englisch
- Abmessung: 255mm x 186mm x 27mm
- Gewicht: 802g
- ISBN-13: 9781107151475
- ISBN-10: 1107151473
- Artikelnr.: 48399138
Introduction: what is reperformance? Richard Hunter and Anna Uhlig; Part I.
Interpretive Frames: 1. Archives, repertoires, bodies and bones: thoughts
on reperformance for classicists Johanna Hanink; 2. Performance,
reperformance, preperformance: the paradox of repeating the unique in
Pindaric epinician and beyond Felix Budelmann; 3. Thebes on stage, on site,
and in the flesh Greta Hawes; Part II. Imagining Iteration: 4.
Reperformance, exile, and archive feelings: rereading Aristophanes'
Acharnians and Sophocles' Oedipus at Colonus Mario Telò; 5. Models of
reperformance in Bacchylides Anna Uhlig; 6. Mimêsis, mortality and
reperformance: the dead among the living in Hecuba and Hamlet Karen Bassi;
7. Double act: reperforming history in the Octavia Erica Bexley; Part III.
Texts and Contexts: 8. Festival, symposium and epinician (re)performance:
the case of Nemean 4 and others Bruno Currie; 9. Comedy and reperformance
Richard Hunter; 10. Performance, transmission and the loss of Hellenistic
lyric poetry Giambattista D'Alessio; 11. Reperformance and embodied
knowledge in Roman pantomime Ruth Webb; Reflections: Is this reperformance?
Simon Goldhill.
Interpretive Frames: 1. Archives, repertoires, bodies and bones: thoughts
on reperformance for classicists Johanna Hanink; 2. Performance,
reperformance, preperformance: the paradox of repeating the unique in
Pindaric epinician and beyond Felix Budelmann; 3. Thebes on stage, on site,
and in the flesh Greta Hawes; Part II. Imagining Iteration: 4.
Reperformance, exile, and archive feelings: rereading Aristophanes'
Acharnians and Sophocles' Oedipus at Colonus Mario Telò; 5. Models of
reperformance in Bacchylides Anna Uhlig; 6. Mimêsis, mortality and
reperformance: the dead among the living in Hecuba and Hamlet Karen Bassi;
7. Double act: reperforming history in the Octavia Erica Bexley; Part III.
Texts and Contexts: 8. Festival, symposium and epinician (re)performance:
the case of Nemean 4 and others Bruno Currie; 9. Comedy and reperformance
Richard Hunter; 10. Performance, transmission and the loss of Hellenistic
lyric poetry Giambattista D'Alessio; 11. Reperformance and embodied
knowledge in Roman pantomime Ruth Webb; Reflections: Is this reperformance?
Simon Goldhill.
Introduction: what is reperformance? Richard Hunter and Anna Uhlig; Part I.
Interpretive Frames: 1. Archives, repertoires, bodies and bones: thoughts
on reperformance for classicists Johanna Hanink; 2. Performance,
reperformance, preperformance: the paradox of repeating the unique in
Pindaric epinician and beyond Felix Budelmann; 3. Thebes on stage, on site,
and in the flesh Greta Hawes; Part II. Imagining Iteration: 4.
Reperformance, exile, and archive feelings: rereading Aristophanes'
Acharnians and Sophocles' Oedipus at Colonus Mario Telò; 5. Models of
reperformance in Bacchylides Anna Uhlig; 6. Mimêsis, mortality and
reperformance: the dead among the living in Hecuba and Hamlet Karen Bassi;
7. Double act: reperforming history in the Octavia Erica Bexley; Part III.
Texts and Contexts: 8. Festival, symposium and epinician (re)performance:
the case of Nemean 4 and others Bruno Currie; 9. Comedy and reperformance
Richard Hunter; 10. Performance, transmission and the loss of Hellenistic
lyric poetry Giambattista D'Alessio; 11. Reperformance and embodied
knowledge in Roman pantomime Ruth Webb; Reflections: Is this reperformance?
Simon Goldhill.
Interpretive Frames: 1. Archives, repertoires, bodies and bones: thoughts
on reperformance for classicists Johanna Hanink; 2. Performance,
reperformance, preperformance: the paradox of repeating the unique in
Pindaric epinician and beyond Felix Budelmann; 3. Thebes on stage, on site,
and in the flesh Greta Hawes; Part II. Imagining Iteration: 4.
Reperformance, exile, and archive feelings: rereading Aristophanes'
Acharnians and Sophocles' Oedipus at Colonus Mario Telò; 5. Models of
reperformance in Bacchylides Anna Uhlig; 6. Mimêsis, mortality and
reperformance: the dead among the living in Hecuba and Hamlet Karen Bassi;
7. Double act: reperforming history in the Octavia Erica Bexley; Part III.
Texts and Contexts: 8. Festival, symposium and epinician (re)performance:
the case of Nemean 4 and others Bruno Currie; 9. Comedy and reperformance
Richard Hunter; 10. Performance, transmission and the loss of Hellenistic
lyric poetry Giambattista D'Alessio; 11. Reperformance and embodied
knowledge in Roman pantomime Ruth Webb; Reflections: Is this reperformance?
Simon Goldhill.