Blending history, architecture and literary analysis, this ground-breaking study explores the convent's place in the early modern imagination. After the Council of Trent imposed strict claustral enclosure, the nun became an intensified object of desire in male-authored narratives. Convents also inspired "feminutopian" discourses by women writers. R
Blending history, architecture and literary analysis, this ground-breaking study explores the convent's place in the early modern imagination. After the Council of Trent imposed strict claustral enclosure, the nun became an intensified object of desire in male-authored narratives. Convents also inspired "feminutopian" discourses by women writers. RHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Barbara Woshinsky, Professor Emerita at the University of Miami, has authored La Princesse de Clèves: the Tension of Elegance, The Linguistic Imperative in French Classical Literature and numerous articles.
Inhaltsangabe
Contents: Foreword Introduction/opening The body in early modern religious discourse (1). Hermitages of the soul: bodies as allegorical enclosures in Counter-Reformation writing The body in early modern religious discourse (2) .Living temples or vases of ignominy: Jean-Pierre Camus and the paradoxes of female representation Thresholds: crossing the boundaries of conventual space Parlors: the implicated convent Cells I: forced enclosure, erotic disclosure Cells II: male appropriations of the nun's persona in Guilleragues's Lettres portugaises and Diderot's La Religieuse Tombs/closing Works cited Index.
Contents: Foreword Introduction/opening The body in early modern religious discourse (1). Hermitages of the soul: bodies as allegorical enclosures in Counter-Reformation writing The body in early modern religious discourse (2) .Living temples or vases of ignominy: Jean-Pierre Camus and the paradoxes of female representation Thresholds: crossing the boundaries of conventual space Parlors: the implicated convent Cells I: forced enclosure, erotic disclosure Cells II: male appropriations of the nun's persona in Guilleragues's Lettres portugaises and Diderot's La Religieuse Tombs/closing Works cited Index.
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