In early modern Europe, international law emerged as a means of governing relations between rapidly consolidating sovereign states, purporting to establish a normative order for the perilous international world. However, it was intrinsically fragile and uncertain, for sovereign states had no acknowledged common authority that would create...
In early modern Europe, international law emerged as a means of governing relations between rapidly consolidating sovereign states, purporting to establish a normative order for the perilous international world. However, it was intrinsically fragile and uncertain, for sovereign states had no acknowledged common authority that would create...Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments Introduction International Law Literary Approaches to International World Order A Dual History of International Law and European Literature 1. The Old World Order Dissolving Universal Laws in Flux: (Neoscholastic Jurisprudence) Cosmic Order Disturbed: (Camões's Os Lusíadas, Reason of State) The Beginnings of Public International Law: (Gentili, Suárez, Grotius) 2. The Poetics of International Legal Order Treaty and Allegory in the Renaissance The Founding Narratives of International Legal Personality: (Grotius, Hobbes, Leibniz) The Founding Narratives of International Society: (Grotius, Leibniz) Spectacles of International Order The Drama of International Society 3. International Order as Tragedy The Renaissance of Tragedy and the Problem of International Order The Sovereign Will and the Tragic Form: (Marlowe's Tamburlaine, Shakespeare's King John) A Tragicomic Intermezzo: The Shapes of World Order in Shakespeare's Romances The Tragedy of Reason of State: (Lohenstein) The Tragedy of Marriage Alliance: (Corneille) International Order Through Tragic Experience 4. International Order as Romance The Romance Form and World Order: (The Greek Romance, Barclay's Argenis) The Crisis of Political Romance in the Mid-Seventeenth Century: (Herbert) The Apotheosis and Extinction of Political Romance: (Anton Ulrich, Leibniz) 5. The Divergence Between International Law and Literature around 1700 The Depersonalization of the State: (Gryphius, Milton) The Birth of the Private Individual: (Milton, Racine) International Law as a Field of Expert Knowledge Literature and the Private Individual 6. The Novel and International Order in the Eighteenth Century The Fictional Construction of Society: Ius Naturae et Gentium The Fictional Construction of Society: Poetics of the Novel Transnational Commercial World Order: (Defoe) Sentimental World Order: (Gellert, Sterne) Cosmopolitan World Order: (Wieland, Goethe, Kant) Epilogue Notes References Index
Acknowledgments Introduction International Law Literary Approaches to International World Order A Dual History of International Law and European Literature 1. The Old World Order Dissolving Universal Laws in Flux: (Neoscholastic Jurisprudence) Cosmic Order Disturbed: (Camões's Os Lusíadas, Reason of State) The Beginnings of Public International Law: (Gentili, Suárez, Grotius) 2. The Poetics of International Legal Order Treaty and Allegory in the Renaissance The Founding Narratives of International Legal Personality: (Grotius, Hobbes, Leibniz) The Founding Narratives of International Society: (Grotius, Leibniz) Spectacles of International Order The Drama of International Society 3. International Order as Tragedy The Renaissance of Tragedy and the Problem of International Order The Sovereign Will and the Tragic Form: (Marlowe's Tamburlaine, Shakespeare's King John) A Tragicomic Intermezzo: The Shapes of World Order in Shakespeare's Romances The Tragedy of Reason of State: (Lohenstein) The Tragedy of Marriage Alliance: (Corneille) International Order Through Tragic Experience 4. International Order as Romance The Romance Form and World Order: (The Greek Romance, Barclay's Argenis) The Crisis of Political Romance in the Mid-Seventeenth Century: (Herbert) The Apotheosis and Extinction of Political Romance: (Anton Ulrich, Leibniz) 5. The Divergence Between International Law and Literature around 1700 The Depersonalization of the State: (Gryphius, Milton) The Birth of the Private Individual: (Milton, Racine) International Law as a Field of Expert Knowledge Literature and the Private Individual 6. The Novel and International Order in the Eighteenth Century The Fictional Construction of Society: Ius Naturae et Gentium The Fictional Construction of Society: Poetics of the Novel Transnational Commercial World Order: (Defoe) Sentimental World Order: (Gellert, Sterne) Cosmopolitan World Order: (Wieland, Goethe, Kant) Epilogue Notes References Index
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