People learn by imitating other people. Authors do the same. This book explains how authors from the earliest stages of Western literature to the present day have imitated each other
People learn by imitating other people. Authors do the same. This book explains how authors from the earliest stages of Western literature to the present day have imitated each otherHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Colin Burrow was a Fellow and Tutor and Gonville and Caius College, Cambridge, before he took up a Senior Research Fellow at All Souls College, Oxford, in 2006. He has written extensively about classical and early modern British and European literature, and has edited the complete poetry of Shakespeare, Ben Jonson and (forthcoming) John Marston. He is an editor of Review of English Studies, and (with Jonathan Bate) General Editor of the Oxford English Literary History for which he is writing the Elizabethan volume. He is a regular reviewer for The London Review of Books.
Inhaltsangabe
* Preface * Abbreviations and a Note on the Texts * Introduction * Part 1: Antiquity * 1: From Mim¿sis to Imitatio: Before and After Plato * Building Bodies: Imitatio and the Roman Rhetorical Tradition * Dreamitation: Lucretius, Homer, Virgil * Part 2: Early Modernity * 4: Petrarchan Transformations * 5: Adaptive Imitation: Ciceronians, Courtiers and Quixotes * 6: Formal Imitation: The 'Leaden-Headed Germans' and Their English Heirs * 7: Ben Jonson: Formal Imitation * Part 3: Milton and After * 8: Milton: Modelling the Ancients * 9: Imitation in the Age of Literary Property: Pope to Wordsworth * 10: The Promethean Moment: Mary Shelley and Milton's Monstrous Progeny * Posthuman Postscript: Poems more Durable than Brass * Bibliography
* Preface * Abbreviations and a Note on the Texts * Introduction * Part 1: Antiquity * 1: From Mim¿sis to Imitatio: Before and After Plato * Building Bodies: Imitatio and the Roman Rhetorical Tradition * Dreamitation: Lucretius, Homer, Virgil * Part 2: Early Modernity * 4: Petrarchan Transformations * 5: Adaptive Imitation: Ciceronians, Courtiers and Quixotes * 6: Formal Imitation: The 'Leaden-Headed Germans' and Their English Heirs * 7: Ben Jonson: Formal Imitation * Part 3: Milton and After * 8: Milton: Modelling the Ancients * 9: Imitation in the Age of Literary Property: Pope to Wordsworth * 10: The Promethean Moment: Mary Shelley and Milton's Monstrous Progeny * Posthuman Postscript: Poems more Durable than Brass * Bibliography
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