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This book researches into the ideals behind Virtual Reality technology (and its central property of total-immersion) by looking at VR through the prism of a philosophy of visual art. Its conclusive understanding is achieved through a broad formulation of an aesthetic theory of immersive consciousness (indicative of an emerging immersive culture) by joining choice immersive examples of simulacra technology into mental connections with relevant examples culled from the histories of art, architecture, information-technology, sex, myth, space, consciousness and philosophy.

Produktbeschreibung
This book researches into the ideals behind Virtual Reality technology (and its central property of total-immersion) by looking at VR through the prism of a philosophy of visual art. Its conclusive understanding is achieved through a broad formulation of an aesthetic theory of immersive consciousness (indicative of an emerging immersive culture) by joining choice immersive examples of simulacra technology into mental connections with relevant examples culled from the histories of art, architecture, information-technology, sex, myth, space, consciousness and philosophy.
Autorenporträt
Joseph Nechvatal is an artist who earned his Ph.D. in thephilosophy of art and new technology at CAiiA:University of Wales College, Newport, UK withthis text. He presently teaches it at the School of Visual Arts in New YorkCity and at Stevens Institute of Technology. His collected essays (1993-2006) werepublished by Edgewise Press in 2009.