Immortelle - Mccarthy, Catherine
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When Elinor's daughter, Rowena, is found poisoned and dead in an animal trough, Elinor is sure the local parish priest is to blame. A ceramic artist by trade and influenced by her late grandmother's interest in supernatural magic, Elinor crafts an immortelle for Rowena's grave and attempts to capture the girl's spirit in the clay model of a starling. Soon she is inundated with requests for immortelles and the more immersed in the craft she becomes, the greater her powers grow. As the dead share their secrets with grieving Elinor, she learns the sordid truth of what happened to her beloved…mehr

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Produktbeschreibung
When Elinor's daughter, Rowena, is found poisoned and dead in an animal trough, Elinor is sure the local parish priest is to blame. A ceramic artist by trade and influenced by her late grandmother's interest in supernatural magic, Elinor crafts an immortelle for Rowena's grave and attempts to capture the girl's spirit in the clay model of a starling. Soon she is inundated with requests for immortelles and the more immersed in the craft she becomes, the greater her powers grow. As the dead share their secrets with grieving Elinor, she learns the sordid truth of what happened to her beloved daughter and plots a revenge so hideous, it must be kept a secret forever.
Autorenporträt
Catherine McCarthy weaves dark tales on an ancient loom from her farmhouse in West Wales. The House at the End of Lacelean Street is her most recent work of long fiction. Other work includes Mosaic, A Moonlit Path of Madness, and The Wolf and the Favour. Her short fiction has been published in various anthologies and magazines, including those by Black Spot Books, Nosetouch Press, Dark Matter Ink, and House of Gamut. In 2020, she won the Aberystwyth University Prize for her short fiction. Time away from the loom is spent hiking the Welsh coast path or huddled in an ancient graveyard reading Dylan Thomas or Poe. Find her at catherine-mccarthy-author.com, or on Twitter/X @serialsemantic.