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Seminar paper from the year 2017 in the subject Musicology - Miscellaneous, grade: 1,0, , language: English, abstract: With the ubiquitous availability and rapid travelling of information, networked media environments confront consumers with an abundance of information, which they can not handle by themselves. As consequence of that, digital media platforms (such as Spotify) make use of recommender systems, that suggest items based on anticipated user preferences. Thereby, algorithms assist users to navigate huge databases of items. Recommender systems turn out to be one of the most powerful…mehr

Produktbeschreibung
Seminar paper from the year 2017 in the subject Musicology - Miscellaneous, grade: 1,0, , language: English, abstract: With the ubiquitous availability and rapid travelling of information, networked media environments confront consumers with an abundance of information, which they can not handle by themselves. As consequence of that, digital media platforms (such as Spotify) make use of recommender systems, that suggest items based on anticipated user preferences. Thereby, algorithms assist users to navigate huge databases of items. Recommender systems turn out to be one of the most powerful tools to cope with information overload. On the other hand, digital music platforms afford user with new opportunities to add, share, comment or rank items and, thus, facilitate the formation of participatory music communities. However, very little is known about the socio-cultural consequences of computer mediated decision-making processes.
Autorenporträt
Markus Giesecke wurde am 15. April 1979 in Regensburg geboren und ist seit 2011 als freiberuflicher Übersetzer und Dolmetscher für die Sprachen Deutsch, Englisch und Spanisch tätig. Für die englische Sprache ist er als Übersetzer vor dem Landgericht Regensburg öffentlich bestellt und allgemein vereidigt. Der Schwerpunkt seiner Tätigkeit liegt auf der Übersetzung und Beglaubigung von Urkunden, Zeugnissen, rechtlichen Dokumenten, Gerichtsurteilen, Jahresabschlüssen etc.