Davide Panagia's Impressions of Hume: Cinematic Thinking and the Politics of Discontinuity is volume fifteen of Modernity and Political Thought, the Rowman & Littlefield series in contemporary political theory.
Davide Panagia's Impressions of Hume: Cinematic Thinking and the Politics of Discontinuity is volume fifteen of Modernity and Political Thought, the Rowman & Littlefield series in contemporary political theory.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations Roll Credits Editors' Introduction Introduction: Impressions of Hume Approaching Hume On Beholding 1 Film Matters: Cinematic Thinking and the Politics of Discontinuity The Action-Image Discontinuity and the Fact of the Series Actors, Artificial Persons, and Human Somethings Political Resistance and an Aesthetics of Politics 2 A Treatment of Human Parts On the Close-Up Empiricism and Typographic Culture Hume's Train of Thinking Of Human Parts Discomposing One's Character Conclusion: A Micropolitics of Impressions 3 Hume's Iconomy An Excess of Images Fluid Supports Conclusion 4 Hume's Point of View: Or, the Screen Single-Point Perspective and the General Point of View Impartiality, Sympathy, Reputation from a Cinematic Point of View The Imagination and Hume's train of thinking The "im" of Impartiality The Hold of Sympathy Reputation, Promising, and Projection Conclusion: Sympathy's Claim Conclusion: Hume and Cultural Politics Bibliography Index
List of Illustrations Roll Credits Editors' Introduction Introduction: Impressions of Hume Approaching Hume On Beholding 1 Film Matters: Cinematic Thinking and the Politics of Discontinuity The Action-Image Discontinuity and the Fact of the Series Actors, Artificial Persons, and Human Somethings Political Resistance and an Aesthetics of Politics 2 A Treatment of Human Parts On the Close-Up Empiricism and Typographic Culture Hume's Train of Thinking Of Human Parts Discomposing One's Character Conclusion: A Micropolitics of Impressions 3 Hume's Iconomy An Excess of Images Fluid Supports Conclusion 4 Hume's Point of View: Or, the Screen Single-Point Perspective and the General Point of View Impartiality, Sympathy, Reputation from a Cinematic Point of View The Imagination and Hume's train of thinking The "im" of Impartiality The Hold of Sympathy Reputation, Promising, and Projection Conclusion: Sympathy's Claim Conclusion: Hume and Cultural Politics Bibliography Index
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